People who are desperate in their bones may subconsciously reveal a state of joy and happiness as armor and shells, so if they can really roar and vent as Robin shows in the film, psychology seems to be just concealing the fear and pain in the heart. Bar.
Extreme anger may not completely destroy a person. The only thing that can take away life and stimulate consciousness is the sudden shadow of death.
Looking directly at the most fragile ending of life, it is possible to be awakened to realize the attitude to face all the unbearable situations and unsolvable puzzles of life.
The whole film is full of strong negative energy, and the feeling of anger from beginning to end is deeply depressing. Runaway, rebuke, argument, entanglement, verbal abuse, curse, ridicule, all these dark emotions make people like me who are naturally tolerant and resist contradictions extremely broken and uncomfortable.
The plot didn't start to ease until the last ten minutes, and developed towards the peaceful direction of idealism. It's just that people will die, and what's the use.
The film spends almost all of its space on the difficulties and helplessness of life. It seems to want to use love and tolerance as the antidote to interpret the positive themes. Unfortunately, the effort is not enough, the strength is too shallow, the ink is too little, and it has not succeeded in turning the outlook on life. The main theme is active, enthusiastic and warm.
In the end, there is only an angry and unsolvable framework throughout the whole story, and it is really lacking in the connotation of the story, which is not a pity.
This movie is Robin's legacy. When he is performing this angry and desperate grumpy old man, how many characters will be substituted, or whether it will be as transparent as the end of the film, it is unknown.
A great and prolific old filmmaker died, but who knows that maybe this is not a kind of relief and the best destination.
Pray, the way to heaven, peace and joy.
View more about The Angriest Man in Brooklyn reviews
