If you see Jos Weeden's name in the screenwriter column, perhaps you will no longer be surprised that the climax at the end turns into a chase and escape. You understand me, and I cherish your mutual affection. For the adult world, it is not enough to change the original life trajectory of two people. The future of an unemployed woman and a prisoner is worrying. Therefore, Jos Weiden may even feel that this alone is not enough to advance the story to the happy ending expected by the audience, so his husband, friends, and supervisors instantly change their faces, appearing in the oppressive form of a social reformer to perform the villain The duty of trying to annihilate the last trace of self in the protagonist’s life. So rebelled. So eloped. To be honest, the beginning of In your eyes is a very creative story. The male and female protagonists have the same visual perception when they are in pain, but they don't know each other. Because of this, they are all treated as weird existences in their respective life circles, subject to varying degrees of criticism and runs on others. Until an accident, the two sides knew each other's existence. So excited and joyful, sharing all the bits and pieces of life with the other self in the world. The Bible mentions that a woman was created by God using a rib in a man's body. Perhaps because of cultural roots, Westerners’ cognition of love is always linked to the pursuit of self. Because it was once a whole, the way the characters perceive each other is through themselves first, and then find a tacit understanding, so they choose the best way to flow. The one who reveals his true self, even if he reveals childishness and innocence. The first time Dylan and Rebecca saw the passages of their respective looks was by looking in the mirror. They have the same vision. They see each other through the mirror. The act of "seeing" is a pun here, first being oneself and then the other party. When they say hello to each other, they are actually facing the inner self. The action of "seeing" is given a special meaning in the plot setting, just like the "seeing" of the characters in impressionist paintings, the simple action is given a moral appeal in the practical sense. The characters in this type of story may all act in the eyes of others in an inexplicable environment at the beginning, or they may be out of touch, or lonely. Until one day they met, and then released the depressed self, gained love and completed the return to self at the same time. The same proposition also appears in different love movies: Ruth, who is not adapted to the upper class in Titanic, became more unrestrained after meeting Jack; the love between Theodore and the virtual lover, who is lonely in Her, clearly depends on her own Like, created Samantha; The The reason why Ellie in Notebook gave up the rich son is simply because she can reveal her most innocent self in front of Noah; while Days of Summer directly writes about the shaping of herself by a love affair. In the climax of the film, Dylan and Rebecca are about to meet. They ran across a clearing. The keywords of the picture were snow and cars. The snow is the trauma of Rebecca’s childhood. At the beginning of the film, it was this accident that let the audience know the connection between Dylan and Rebecca in childhood; the scrapped car is Dylan’s unsatisfactory life in real life. He lived after being released from prison. In a dilapidated RV, he is smart, but because of social prejudice, he can only work in a car wash. The overlap of the two images indicates that they will eventually meet in a painful way to connect to each other. In addition, it’s worth mentioning the self-care sex method in the film. The two hands separated from each other suddenly appear in the same time and space in the same picture. People's eyes light up. Most excellent Western romance movies don't care much about emphasizing the demanding material conditions. Therefore, the protagonist can be people from all walks of life, and this kind of story not only completes the exploration of the human spiritual world, but also achieves the artistic purpose of truly serving the lives of the public. Compared with the celestial dynasty, which emphasizes the construction of spiritual civilization, there are all kinds of male thieves and female prostitutes who earn both fame and fortune in the theater. It seems that women in the world only need to know how to choose excellent men, and men only need to know how to earn more. Money can solve all problems. Perhaps the evil capitalism knows better what true love is. In fact, in other words, if it weren't for looking at you and seeing me, how many people's unreasonable troubles are worth the other side's desperate efforts to strive for success day and night? Summer directly wrote about the shaping of self by a love affair. In the climax of the film, Dylan and Rebecca are about to meet. They ran across a clearing. The keywords of the picture were snow and cars. The snow is the trauma of Rebecca’s childhood. At the beginning of the film, it was this accident that let the audience know the connection between Dylan and Rebecca in childhood; the scrapped car is Dylan’s unsatisfactory life in real life. He lived after being released from prison. In a dilapidated RV, he is smart, but because of social prejudice, he can only work in a car wash. The overlap of the two images indicates that they will eventually meet in a painful way to connect to each other. In addition, it’s worth mentioning the self-care sex method in the film. The two hands separated from each other suddenly appear in the same time and space in the same picture. People's eyes light up. Most excellent Western romance movies don't care much about emphasizing the demanding material conditions. Therefore, the protagonist can be people from all walks of life, and this kind of story not only completes the exploration of the human spiritual world, but also achieves the artistic purpose of truly serving the lives of the public. Compared with the celestial dynasty, which emphasizes the construction of spiritual civilization, there are all kinds of male thieves and female prostitutes who earn both fame and fortune in the theater. It seems that women in the world only need to know how to choose excellent men, and men only need to know how to earn more. Money can solve all problems. Perhaps the evil capitalism knows better what true love is. In fact, in other words, if it weren't for looking at you and seeing me, how many people's unreasonable troubles are worth the other side's desperate efforts to strive for success day and night? Summer directly wrote about the shaping of self by a love affair. In the climax of the film, Dylan and Rebecca are about to meet. They ran across a clearing. The keywords of the picture were snow and cars. The snow is the trauma of Rebecca’s childhood. At the beginning of the film, it was this accident that let the audience know the connection between Dylan and Rebecca in childhood; the scrapped car is Dylan’s unsatisfactory life in real life. He lived after being released from prison. In a dilapidated RV, he is smart, but because of social prejudice, he can only work in a car wash. The overlap of the two images indicates that they will eventually meet in a painful way to connect to each other. In addition, it’s worth mentioning the self-care sex method in the film. The two hands separated from each other suddenly appear in the same time and space in the same picture. People's eyes light up. Most excellent Western romance movies don't care much about emphasizing the demanding material conditions. Therefore, the protagonist can be people from all walks of life, and this kind of story not only completes the exploration of the human spiritual world, but also achieves the artistic purpose of truly serving the lives of the public. Compared with the celestial dynasty, which emphasizes the construction of spiritual civilization, there are all kinds of male thieves and female prostitutes who earn both fame and fortune in the theater. It seems that women in the world only need to know how to choose excellent men, and men only need to know how to earn more. Money can solve all problems. Perhaps the evil capitalism knows better what true love is. In fact, in other words, if it weren't for looking at you and seeing me, how many people's unreasonable troubles are worth the other side's desperate efforts to strive for success day and night?
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