his "mother" laughed at him like this. The person he loved once turned into a swan and flew away after death. When he was filled with his mother's beliefs through music, he was being pecked by chickens. The beloved mother almost died in the collapse of the faith when she was a child. That song is a deep fear in the memory of the male protagonist. Whether it was love or fear, he was never that eagle—the totem eagle that his father engraved on his chest in an attempt to give him masculinity. Coupled with the hands that tortured him for most of the film, he was given too many things that did not belong to him. And his resistance is the spark of contradictions in all plots.
The story of the father-the story of the mother-the story of the lover constitutes the clues of the whole film and guides the life of the male protagonist for a period of time. So it can be said that this is a movie about home. The bizarre life left him helpless, he ran blindly, taking many painful detours. What is touching is that he finally found it: the love that belongs to him only, the love he personally chose.
He thought about relying on his father. He desperately imitated the flirtation between his childhood father and the tattooed girl-this kind of behavior can be found in almost every child, but the scene in the film has been surrealized. He wanted to repair his mother completely, so he turned into his mother's hands. He let himself succumb to his mother's lewdness, forced himself to copy his mother's faith, and killed the licentious women whom his mother hated - all this In everything, he is doing his best to get close to his mother. He desperately tried to please her subconsciously to imply the truth of her existence. He wished so much that his mother still existed. The father and mother, who disappeared overnight, constitute a void that has never been filled. This empty hole is like a black hole, with huge gravitational force, and something must be sucked in. no? He filled everything up with imagenation.
But this is not the correct answer. Nails that don't fit will always come out of the hole. The compensation for all this is unstable, and the eagle or the arm of revenge is contrary to the male protagonist's heart. From beginning to end, only one thing is his own choice. (Or two things, if you count the friendship with the dwarf as well. But... Forget it, the reflection of friendship is his compassion for himself, or his self-consciousness to reality. This needs to be said otherwise. ) Is the love for Emma, the white-faced girl.
Emma's design is really clever. He is deaf and dumb, and his living environment is fully integrated into the social environment of the male protagonist. She is just an existence. It's really a correct model that doesn't take the lead at all. Even if she is like an angel, guiding the male protagonist's last paragraph of self-salvation, it will not make people feel that the focus of even a minute is on this woman. Some people say that this is a religious movie. Then she is the closest to Christ in the whole film. She didn't say anything, didn't listen to anything, didn't force anything, facing the hero's knife, she just silently stretched out her arms. She is the home of the last male protagonist. Well, maybe our director who loves religion is saying that Christ is the Savior and the only thing we can rely on in the end (I am a Christian, so I am very moved). But in a broader sense, the male protagonist has accepted his own mind, rather than any spirit that he was forced to give when he was ignorant.
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