A futuristic mobile phone with a full sense of design was used as a prop for manipulating human beings, and used a life-killing trick in the opening show to have a small IQ. It sets a little bit scratching puzzle for the audience-who did it on earth! ! !
Then the male protagonist received a cool new unlisted mobile phone (in the words of Russian agents, "Wow, are you using GTZ650? This GTZ650 is a good stuff that hasn't been listed yet. How did you get this?" GTZ650!")
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[
Insert an information searched on the Internet] GTZ650 is a concept phone that Nokia has not yet launched, and it was only sold in 2014. (It was the summer of 2013). Nokia often advertises its own mobile phones that have not yet been listed in the movie. "Death Mobile" is also a mobile phone promotional video of Nokia.
As a loyal user of NOKIA before the bankruptcy, the corners of his eyes are unavoidable when I see this place. The green futuristic phone shows the awkwardness of operation and the heaviness of the transparent phone, so this phone is not NOKIA at all!
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Returning to the plot, after the male protagonist received the mobile phone inexplicably, as the audience wanted, various good things that could stimulate the adrenal hormones came to the surface. After avoiding the plane disaster, the suggested stock rose by three hundred and three percent. The technical male protagonist suddenly had the illusion of God's darling, and then he obediently went to a Prague casino after following his cell phone, and hit the big luck according to the text message prompt. Later, the security director (former CIA employee) and the characters of the CIA in black appeared next to the male protagonist. Gunfights, beauties, Moscow, assassinations, and hunts appeared in accordance with the existing routines, and the CIA boss found this and The self-developed monitoring system terminal has some conclusive connections. Needless to say, those who have watched Hollywood suspense and crime commercial films will know the following routines. In the end, facing the government, gently and ingeniously extinguished the computer system and embraced the beauty of one-night stand to return to the vulgar ending. I really don’t bother to write it again.
Although there have been a lot of man-machine wars and surveillance dramas, just to mention two Will Smith’s "National Enemy" and "I, Robot", they have already combined the tension of the plot, the explosive power of the scene, the performance of the actors, and the ending. The uncovered surprise has reached a certain level, so in comparison with many successful previous works, "Echelon Conspiracy" is a bit painless in many places.
For example, the description of the pie in the sky is not enough to excite people. I just had a few small HAPPYs, and I just let the audience follow the male lead to ignite the enthusiasm of the shuangwaiwai, and they have not shouted the phrase "I fuck," It's too awkward!" At that moment, it stopped abruptly. You know, this passage is to satisfy the movie viewers (general public) and the male protagonist to experience the same rare rhythm-"The sky will give me a lot of money, how should I spend it"!
The ensuing misery and the torture of being abandoned by one's own country, the astonishment after being abducted to bed by a well-known beauty, and the innocent deceived loss, were only taken by a few shots. The sentence in the audience's heart was " I can’t release the pleasure of making you silly, silly.
It feels like the pain of frowning and raising the nose to sneeze, but it can’t come out; it’s like the back is suddenly itchy and scratching, but you can’t find the most accurate back after scratching. The location to relieve the itching.
But even so, because of the setting of the ultimate puzzle of the human-machine warfare, coupled with the male protagonist (I don’t know which is particularly like Chandler in FRIENDS)’s sunshine simplicity, the whole movie can still drive people's intuition— —How do these guys play dead computers!
As a male protagonist from the technical department, he was given the mission of typing in the password within the last four minutes to prohibit the system from upgrading itself to become the world's number one overlord in the science and technology industry. At this time, logic appeared, just as weird as Amosiv’s Three Laws of Robotics. The male protagonist clicked on the computer’s cul-de-sac-using logical questions and answers to let the computer understand that his own existence is a threat to the American people. So as the captain went to sleep. Fortunately, the computer system here does not have life like in other movies, but the system is too powerful to do a lot of behaviors that it thinks are executing commands, including monitoring, deceiving, and killing...So, I found the right dialog box. Using Lu Xiucai’s rhythm of "Who is me and who I am in this universe" in "Wulin Story", no matter how powerful a computer system is, it will understand "sophistry" Things can't be played by humans".
At the end, the Russian agent's awe-inspiring and awe-inspiring dialogue to help the American people tide over the difficulties was so queer that they couldn't help but doubt the director's intentions.
PS: "11:14" by director Greg Marcks is indeed another good film.
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