I just chatted a little bit. Last night I watched Story of the Turkey, a standard American anime, animal anthropomorphism in the movie, a typical escape and rescue plot, a typical American hero, a movie that counterattacks Diaosi. We can guess the plot of this kind of movie almost with our eyes closed, but why can't we stop watching it? I once asked an old man that the Rongronghuagui of the western restaurant will never be better than the fried noodles on the streets. We tend to overlook the simplest emotions in human relationships-courage and love. And American animated films often care about these things the most. Simple things are the easiest to move people. Lao Mei relies on these continuous deceptions to get money from the pockets of people all over the world.
In fact, as far as the plot is concerned, it is just a silly turkey and a second turkey traveling back to the past to change the fate of the turkey race and get rid of the fate of becoming Christmas food. The result is conceivable, it is successful, to be honest, if it is not successful, why do you have to work hard. However, I still seriously doubt whether the director is a vegetarian or not, or come up with such a script.
Here, I don’t think I need to explain too much about the movie itself, but I want to spy on the entire American animation market through the movie. Once Disney was the only one, and then Pixar (tentatively regarded as an independent company), and now it has formed a four-stop struggle with DreamWorks and Blue Sky Studios. Under the benign competition mechanism, it has not only promoted the continuous improvement of the film quality of the four companies themselves, but also promoted the development of the entire animation industry. I checked the production company of Turkey Story on the Internet, and I believe many people have not noticed it. Relativity Media, but looking at the movies produced by this company, they actually include such giants as Fast and Furious 7 The Bournegro: 4 Lesbians. But the cartoon is the first time.
It can be seen that for American film production companies, making a 3D movie can be composed of relatively straightforward words, no matter in terms of technology or experience. This is strength, the overall strength of the industry.
Looking back at the country, but not to mention animation films, the entire film industry is still dominated by China Film, Chinese Americans, and the Emperor. Occasionally a pony appears to be galloping. Galaxy is also struggling to survive in the cracks. For practitioners in the film industry, the choice is The scope of occupations is also concentrated in these companies, resulting in an extremely uneven distribution of talents.
Perhaps, the development of the industry is not only the increase in the strength of large companies, but also the continuous weakening and continuous decentralization. When there is a real competition crisis, it will be more beneficial to the development of the industry.
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