It is especially suitable for comparing it with "Barton Funk". I would like to ask if the Coen brothers have used it for reference. In the first scene, he spent his thoughts and thoughts on the right place. One is the pile of apples on the table, which are completely placed in a basket, festered or bitten by them, and one is from the third person perspective to the second person perspective. The conversion, I was trembling to see. The old witch played for the first time, and how he played with her skills in expressing her weirdness. One was to use editing to teleport her position. There were two times, using two editing sequences to show her. John at the first castle party still held an attitude of resistance, struggling between these monsters. He changed after "The Magic Flute", where art played the gravitational force of the abyss itself. The story of the confessed kid was John's hope for Emma. He hoped that she would be the same reason as the apple tree to hold him from going into the abyss, but they still found it. Veronica is the demon of artistic illusion that he pursues and fears. The eroticization of the psychology represents the uncontrollable panic. In "Winter Light", the woman pulls the priest back to the present world, but Emma fails to do so. German said that he tried to go further. This far turned the sitting under the apple tree into frantic footsteps and sharp smiles in the dark castle, violence and brokenness, and the me who couldn't feel you. Supplement: 20180616 Hongqiao Art Center
Regarding how to extradite Emma into John’s fantasy world, this is very important. Bergman made her passive. People in that world (old witch) came to her. I don’t know if this is appropriate. This is the same as some other places later, it belongs to the forced advancement of narrative. This time I re-watched it on the big screen and found some shortcomings, such as this. It seems not so smooth, like one after another raised mental tumors.
The good place feels better this time, but no one asks, I don’t know where to start.
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