There are familiar Germans everywhere

Rosie 2022-01-15 08:02:32

I've heard of this movie a long time ago, just because it was played by Max Remmett, a rare handsome guy who hasn't made a fortune so far. Seeing that Tom Schilling has embarked on the road of the uncle of the vicissitudes of life, Marx's other films, I've seen some roughly, but nothing to tell. Hanno, another male protagonist, also played Summer Storm. He really has short legs and a big head, so he always feels a bit uncoordinated in his body proportions, even though he has a lot of muscles. So are these actors all from the same company, or are the German actors so limited that we have access to? Hanno and Robert worked together in Summer Storm, Robert and Tom Schilling worked together in madness, Tom Schilling and Max Remat worked together in Hitler’s boys, and the film was transferred to Max and Hanno. And the heroine Katarina has collaborated with Tom Schilling in our parents... It's a big game of chess, I think the second part should call Volkbruch, Daniel Bruch and the like.
Never imagined that the high-profile guy in the summer storm could play this kind of introverted family man who broke out in silence so appropriately. I have been seeing two thirds of the film and I feel that the idea of ​​this film is relatively old, that is, extramarital affair + a person who has never found that I like a man + the story of a long-term relationship, and the character setting is also relatively weak. Generally this kind of film is set in this way, a very bold, cynical, for fear that others are not beautiful men who know that they like men, and usually the recipient, a perfect-looking, silent, and very careful home. Men, usually he is attacking; the latter will eventually break through the moral bottom line under the stimulation and hookup of the former's deliberate destiny, usually accompanied by the broken family, but basically there is no good result, because Ning tears ten This temple, do not regret a marriage, the director has this consensus, which is the reason behind the tearful exchanges of the audience that gay movies can usually deceive. The film still ends with the compromise of the family man with his wife and children, and the other one goes away.
But in the last third, after Kay left, Mark’s feelings broke out. Before sweeping away, I felt that the setting was very weak. Kay inspired not only Mark’s running potential, but also his Mark's courage, the courage to admit that what he likes is the courage of men, and the courage to resist those homophobics. At the end of the film, the scene in which Mark ran faster and faster and gradually surpassed his companions was an illustration. Until this time, Mark’s image has gained the final fullness. Relatively speaking, Kay’s settings are really a bit weak. He does not have the rendering of the home environment, nor is he as dazzling as in other gay movies. It is relatively calm and gentle, and affects the person he loves imperceptibly, so the whole feeling is that this role appeared for the setting of the male number one. As for the setting of the female number one, it is the standard lineup of gay movies. A beautiful woman who loves life, loves her husband, and is sure of her husband. In the end, this film did not explain where the couple’s feelings will go, but it looks like it is. On the good side.
But how long does it take for this wound to heal? Maybe everyone can't go back in time, as if nothing happened. Because you have been here, you have left such deep and colorful traces in my life, so everything can't go back to the past, and I can't pretend that we didn't spend those years together.

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Extended Reading

Free Fall quotes

  • Kay Engel: Stop kidding yourself. Just admit that you're gay. It isn't easy for me...

    [Marc punches Kay in the mouth]

    Marc Borgmann: I'm not gay, Kay. Got it? It was just a one-off with you. So stay away from me. Stay away from me, Kay.

  • Marc Borgmann: Shit. What are you doing here?

    Kay Engel: Is it broken? Let's have a look.

    [touches Marc's broken nose]

    Marc Borgmann: Ow. Are you crazy?

    Kay Engel: Ah, it's nothing. Pussy.

    Marc Borgmann: You'd better go before my mother gets here.

    Kay Engel: I'm gone already.

    [kisses Marc]

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