screenwriter has rendered this Gu technique a little bit. This Gu thief can absorb souls, and the human's three souls and seven souls have been partly followed by Gu. At the beginning of the film, I saw that Yilan raises Gu, enters the human body, and the person who releases Gu controls the middle Gu person. After the money is stolen, another person who accepts Gu appears to take out the Gu. He does not destroy the Gu, but he fosters the Gu in pigs. Parasites in pigs are fused with pigs, so Zhonggu people have a connection with pigs' experience.
Among them, the Gu man retrieves his stolen soul, and Gu is dead. The film is a symbolic metaphor for the victim to retrieve the pig.
If you don't understand it, you think it's sci-fi, but it's actually the narration Gu.
The movie doesn't talk about the evil and witchcraft of Gu, you see, the people who put the Gu and raise the Gu are very ordinary, and there is no filthy and disgusting picture in the Gu, and there is no slashing and killing when receiving the Gu. If this topic is for Thais and Chinese, they can only be used as horror films.
Shane Carruth is worthy of applause for being able to direct Gu like this.
View more about Upstream Color reviews
