Beibei’s movie world: http://blog.sina.com.cn/s/blog_459424700101a4h3.html
The Fatal Attraction that year scared married men in the 70s in the United States and caused the proportion of extramarital affairs to drop greatly. It also played a positive role. Perhaps it is the reason why this trend has become rampant again in recent years, so this topic of extramarital affairs has been hyped again, but compared to the previous "Fatal Attraction", due to some illogical and impractical aspects, it is The persuasiveness and influence are greatly reduced. I think most of the fans are going for Beyoncé.
First of all, Xiaosan's fascination with the male protagonist is illogical, and this illogical naturally makes all subsequent story developments unconvincing. If it was defined at the very beginning that this junior was a predecessor with delusional disorder, then it would be justified. But at the beginning, this junior showed super working ability and high emotional intelligence. Why did he suddenly become paranoid? And although the male protagonist is a black man, he does seem to be high-end and high-end, and he has been restraining himself in speech and behavior, and has not done a lot of radical or suggestive behaviors. How can he make this little mistress so excited? Emotionally, it's a bit unreasonable.
Secondly, Zhang Ailing once said that grabbing a man's heart and relying on his stomach, grabbing a woman's heart hurts the vagina. When the police intervened in the investigation and asked the hostess, he said that the mistress described him as a perfect lover in his notes. Oh my god, they haven't even been in bed. Since there was no physical contact, Xiao San plunged herself into it, as if she was a little too hard. In "Fatal Attraction", Michael Douglas did indeed have a very passionate physical relationship with his godmother, but Michael was in a playful mentality, and the other godmother was moved by the truth and felt that such a good man was not My husband, the more he thought about it, the more he couldn't figure it out, and he made a series of radical behaviors when he was old and no one loved him. It's reasonable and reasonable. But in this movie "Ghosts", the male protagonist has tried his best to restrain himself from beginning to end. The junior is young and beautiful, but he is so radical. In the end, the delusion attacked so much that I really couldn't understand it.
The whole film depends on the mood of the junior third, which is too steep and supported, and it is completely a neurosis. This chance of encountering strange flowers is very small in real life. Therefore, if we want to use this film as a vigilant role, it may be minimal, because we just look at the unreal things and we can't get it into our minds.
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