Violence has no utopia

Jeff 2022-01-11 08:02:49

There have been too many coups in history, and they have brought too much blood. However, in the past, most coups were directed at monarchs/heads of state, so the massacres were only directed at the upper echelons. This makes the spectators watching the fire from the shore fail to appreciate the cruelty, after all, death is just some words/numbers, and there is no way to shock the psychology to the greatest extent. It may be the conspiracy theory that can be discussed by others.

With the advent of the information age and the democratic system, politics is no longer the career of a few people, and the participation of most people has become the mainstream, even if you just vote for it. Therefore, a coup d'etat in this era requires more effort. In the past, it was only necessary to conquer the ruling class, but today it is necessary to conquer the people of the whole country. As a result, the atmosphere of the massacre expanded, and the coup d'etat was no longer an after-dinner talk for ordinary people, but may be a bloodbath happening around them, and the film "The Missing" showed the phenomenon.

I have read Isabel Allende’s "House of Ghosts" before, and the novel also describes the violence of the military government. Among them, the protagonist’s son Jaime was tortured (the most impressive is the use of cigarette butts to burn the test. Pill) and was executed. The author's brushstrokes were full of accusations, and it was later discovered that his uncle was Salvador Allende who died in the Chilean coup, and this is the background of the coup in "The Missing".

The main violence in the film is static, such as the sound of gunshots constantly sounding, visually there are scenes of corpses all over the wild (the corpses piled up in the gymnasium), and there are almost no scenes of violence displayed on the front, so we can only use imagination To understand the violent scenes hidden from the camera. But pure violence is too functional, and cold violence has become the main body of the film. The soldiers on the street, their indifferent expressions, and the government's negative attitude all make people feel personally powerless to face the system. Perhaps the film is intended to accuse, but for me personally, the dark and hopeless atmosphere makes people helpless.

I often dream about or imagine myself facing a scene of violence. Generally, this kind of situation is the easiest to die. After all, death is a complete relief compared with tolerating violence. All kinds of torture in ancient China were all for torturing the other party to the greatest extent before death. Lingchi execution was the most representative and tested the swordsmanship of the torturer. The former President of Liberia, Samuel Doe, was also cut off before being executed. Lost fingers, toes and genitals; there is also Saddam... torture or backwardness from civilization, or animal cruelty from man himself, in any case, people yearn for civilization. The reason why civilization makes people yearn for, at the very least, can guarantee the ease and joy of death, but in a human society dominated by desire, civilization can only package the details, and for the nature of society, civilization is always just a utopia.

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Extended Reading
  • Gudrun 2022-03-14 14:12:26

    This is the eighth work by Jack Clement I have seen. The first seven comedies are all from Billy Wilder, so I was very doubtful how he got the Grand Slam winner (Oscar, Cannes, Venice, Berlin), this semi-documentary gives a good example. A miraculous scene: In the evening the gunshots, Spicer curled up and looked at the street, a white horse hissed past... the screams of political harm.

  • Emilia 2022-03-25 09:01:16

    The director's transformation from his father to reveal the conspiracy seems relatively smooth. Although it seems to be unveiling the dark curtain layer by layer, it is too powerless and not very involved in the drama. Quan should understand this history.

Missing quotes

  • U.S. Ambassador: We're not involved, Mr Horman. Our position has been completely neutral.

    Ed Horman: That is a bald face lie, sir. How can you say a thing like that when you have army colonels, you have naval engineers, they're all over Viña Del Mar!

    U.S. Ambassador: Please sit down. Look, it's very obvious you're harbouring some misconception regarding our role here.

    Ed Horman: What is your role here? Besides inducing a regime that murders thousands of human beings?

    U.S. Ambassador: Let's level with each other, sir. If you hadn't been personally involved in this unfortunate incident, you'd be sitting at home complacent and more or less oblivious to all of this. This mission is pledged to protect American interests, our interests.

    Ed Horman: Well, they're not mine.

    U.S. Ambassador: There are over three thousand US firms doing business down here. And those are American interests. In other words, your interests. I am concerned with the preservation of a way of life.

    Capt. Ray Tower, USN: And a damned good one.

    Ed Horman: [Staring out the window] Maybe that's why there's nobody out there.

    U.S. Ambassador: You can't have it both ways.

  • Capt. Ray Tower, USN: I don't know what happened to your kid, Ed. But I understand he was a bit of a snoop. Poked his nose around in a lot of dangerous places where he didn't really belong. Now, suppose I went up to your town, New York, and I started messing around with the Mafia. I wind up dead in the East River. And my wife or my father complains to the police because they didn't protect me. They really wouldn't have much of a case, would they? You play with fire, you get burned.