I like the soundtrack every time it sounds.
I like the colors too.
It is necessary to tell an ambiguous subject with its own ambiguity to make us feel it ambiguous.
What is unclear, what I am concerned about is Fred's state. Discuss again with this.
Lawrence said that before the expulsion, you and I were expelled. It was a mess, family, work, everything that this society has built. You think about your life, there are too many fractured surfaces. Can it withstand your questioning and asking for perfection?
Lawrence's transformation is a process of reshaping.
He didn't become a sissy appearance. In their words, they were men with women in their bodies. The biggest mistake was that they were born with hands.
I think this is an interesting setting, or a basic point, a basic point of studying Fred.
Lawrence is still Lawrence, Lawrence who works best with her. They lived a passionate, extraordinary life together. Spiritual partner. The important thing is that she still loves him. She might have thought at the beginning, this is cool, I can.
Lawrence is free. Compared to Fred, he is like the one who breaks the rules easily and firmly, which is really annoying. He also asked people around him to be happy with him.
The happiness of dressing up for the first time; facing the fragility of mother; fighting with anger, all are so natural.
Looking at him, you will think it should be like this, why can't it be like this, you can see that he can be like this.
That group of singers are also such people, they make him feel close.
And the publishing house woman doing interviews is annoying. She represents the fettered Fress, and she represents the vulgar social spectator.
These joys, these freedoms, are cruel and selfish to Fred.
Their quarrel revealed her troubles in the sharpest and most vulgar way. Also stimulating her was Alexander's female companion.
She is not them, she is so free from the bottom of her heart.
She may feel that as long as she can solve this shameful thing in a natural and decent way, life can continue as usual.
But those "Lawrences" don't even have these troubles.
She left Lawrence, she thought she had her own life, not a life shaped by Lawrence's values.
She needs the approval of the dunya, and although she is suffering, it is her birthright. Helpless.
She said, I am not your star chaser, and I don't want to be the one who is next to you and is nothing.
Don't forget that she is also a glamorous worker. If she wants to, she will have a man like Albert that she needs, and then build a family and deal with those relatives.
But she is still lonely, she will inevitably want to escape, will inevitably be dissatisfied, inevitably lonely.
She needs Lawrence, she has a part close to him.
This is like the frequently-discussed issue of birth and accession:
You say you are free, you don't care about gender, social status, or opinions of others, but you can't do it.
The contradiction between these two life choices is inspired by their unborn child. She took him away, and this incident broke Fred. It also made the kind and warm Lawrence question her authenticity and shake his love.
In the final conversation, Lawrence summed up her, of course I also think of Fred that way.
Lawrence is a writer, and maybe Fred can't see how "not worth mentioning" her own tangled swings are.
The choice was left to Fred. But for Fred, who couldn't understand it, it was not a threat.
Or understand, but she finally left and returned to her life, maybe liberated.
In her opinion, all the sudden changes were due to Lawrence's transformation, only her anxious and frustrated pay, he was shirking responsibility, and he relied on her to love him.
Lawrence also understood that they weren't the same kind of people at all, and social pressure had never restrained him. He missed their love and let go.
You can't say that Lawrence did not give equal love to Fred. This director makes you clear that his joy every time, his wait... It's just that he is free by nature. It's really just that. Fred can't live the same life as him.
Our own lives are essentially bound up like Fred. Can't be detached. There are always some silly, restless and anxious restraints.
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