1. The term "where there is a lamp, there are people"
appeared several times in the film, and the old man Gong picked Ye Wen to join hands and said, "Mr. Ye, I will give you the fame today. On the way forward, you will be one step at a time. I hope you, like me, take a breath and light a lamp. You must know that you will never forget, there must be repercussions. There will be people with lights."
I think this film is the beginning of the storytelling in this place. To pick the heir, I like Ye Wen, this light must be passed on to him. After that, Gong Er was about to lose her hair. When she made a vow, she asked if her father knew what she was thinking, he would show her a bright Buddha lamp. The question is an orthodox permission and recognition.
It just ended at the Buddha statue, and I chewed it to echo the contrast relationship.
"To pass the light" means Buddhism, especially the Zen Buddhism, to "pass the Dharma". Therefore, if you want to study the history of Zen Buddhism, important Zen masters' lives, thoughts, verses, etc., you must read the "Wu Deng Hui Yuan" and other lamp records.
Denglu is the historical record of Zen Buddhism, and it is also a saying in the martial arts. (Don’t forget that the Shaolin school of Chinese martial art was developed by the founder of Chinese Zen Buddhism.) There is a book about the rivers and lakes called "Xingyi Chuan Denglu". It's these things in Xingyiquan and martial arts, where there is a chance of Zen. I also suspect that the archetype of the old man is Cao Zhiqing, the author's master in the Xingyi Chuandenglu, who "made a furnace of Xingyi, Eight Diagrams, Tai Chi, and Shaolin Five Elements". Therefore, the repeated appearance of "passing the lantern" and Lao Wang's picking up "Xingyi" and "Sixty-Four Hands", I think it was deliberately arranged, and it also confirmed his desk work.
When the old king mentions the lamp, he naturally wants to write an epic, write an epic, but naturally not write a person’s fortune history, so in other words, the story is that the old man of the palace is looking for someone to pass the lamp, so the next generation is the second horse. Sanyewen and Zhang Zhen (what’s that person’s name?), who met on the train, formed a branch of this pedigree. As for how each develops, it is actually the fate of encounter and separation. Four flowers have to be trimmed, so it’s not bad to say that this piece is Gong Er girl. Although the narrator is Ye Wen, I still think that the clue is Gong Er, at least the open line is Ye Wen, and the dark line is. Gong Er, Zhang Zhen is actually the third unexpanded thread, which is probably cut. But on the other hand, if he is not cut, it will make the movie look more chaotic. In the editing, Gong Er and Ye Wen just broke off in melancholy and sadness. Zhang Zhen and Xiao Shenyang began to accept apprentices with a slightly comedic touch. I think it’s quite a way of adjusting the atmosphere == In the Zen genealogy, this is also the case. Endless encounters, such as the creation of Niu Tau Zen: There is a legend that the fourth ancestor of Zen Taoism met Fa Rong in Niu Shou Mountain, Nanjing, and the two said a few words. Enlightened, so he founded Niutou Chan. Zhang Zhen and Gong Er are the same. If there is no good idea of Gong Er on the train, there will be no foundation for Zhang Zhen to create in Hong Kong in the future. I personally like Zhang Zhen's handling of this line, and it has a historical style.
2. "Never forget, there must be reverberations"
this sentence I and Lao Jiang especially like, much more advanced than that "all encounters are long-distance reunions" (I'm sorry! As Bai Luomei's wonderful life, I really love this sentence. (Physical discomfort) These
words correspond to the following lines of Gong Er: "My father often said that people who practice martial arts have three stages: seeing myself, seeing the world, and seeing all living beings. I have seen myself, and I have seen the sky and the earth. It is a pity. I can’t see sentient beings. I haven’t finished this road. I hope you can go on it.” I
also took care of the sentence that the old man told Ye Wen to tell me, “I’ll show you the sixty-four hand, so you can understand. , There are people outside the mountains and there are mountains outside the mountains. Boxing can't only have the front road and no back. I hope you can draw inferences about it." The
old man told Ma San the hurdles of Xingyiquan, saying that turning back is the hardest.
Practicing exercises is similar to proving the Dao. One mountain has a high mountain. The third stage of martial arts practitioners-the so-called "seeing sentient beings" I chew is compassion, that is, to a certain extent, "enlighten" Zen. Gong Er, Ma San, and Ye Wen all got the mantle of the old man in a certain way. Ma San and Gong Er stopped to see the world. Her character of not hiding the blade determined that she could not forgive Ma San’s betrayal, just like a horse. San couldn't forgive the old man Gong for hurting his face, so the two of them couldn't turn their heads back. Ye Wen did have it. He took the leftovers, and he was a character who was able to resist things and lower his body. He couldn't live a life that could not be exceeded. The child died and his wife did not see it until he died. It is in Ye Wen's experience that "Kang Long has The part of regret is the basis for "remembering".
He fought Gong Er for the first time, but Gong Er actually lost. When she almost fell downstairs, it was Ye Wen who gave her a hand. It was merciful, so Gong Er used his strength to jump upstairs and beat Ye Wen. Go down. Gong Er and Ma San were both people who left no room, but Ye Wen was able to stay, so he was the one who walked the farthest on the road to martial arts. "Echoes" and "Recalling", Bodhidharma also said, "Two hundred years after my death, the clothes will not pass. The law is in the sand world. Those who know the way are many and those who walk the way are few. Those who reason are many and those who reason. Less. There is more than a secret proof of the hidden talisman. You should not lightly understand it. When you think about it, you will be the same as the original."
3. God stick pure brain replenishment
1) Before Ye Wen went to fight with the old man in the palace, he fought with the great figures of the southern factions. At that time, the kiln sang "Shi Lang to visit his mother". .
2) Buttons. The button that Ye Wen picked off at the time was the first button, the one on the collar. Tao Yuanming's "Xianqing Fu" wrote, "I wish to be the leader in clothes, and inherit the Yufang of Hua's first", a love poem. The advantage of this love poem is that the heart is shaken in the inside, but it is very emotional when seen from the outside. Almost ritual.
[This review is purely for brain supplements, welcome all kinds of technical discussions or face-slaps]
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