Thank God, the movie is not closed after the two kisses, if you don't regard Miss Emily's Nightmare Killing Room as the final scene of the feature film. You can see it by looking at it, very cute echoes, with a very British humor.
What I want to say most is this dialogue:
Mortimer: How is it, Ms Dalrymple, that you are so much the ideal one, and your sister is so...so volatile?
Emily: Well, I'm hardly ideal, Dc. And, Charlotte, she just... feels everything so strongly. In
history, of course, there really is a Feminist as radical as Charlotte, so it is wrong to accuse the actor of acting like a lunatic. What didn't deal with was Trial's speech, just a few words that didn't matter, it was too thin.
Regardless of the field, pioneers are feeling everything so strongly. The rubber man can only be a filler in the torrent of history. In this sense, it has gone beyond the issue of Feminism on the surface of this film. We have to feel, react, and persevere in pain.
I remember a year ago, I saw a few girls directed and acted Virgina Monologue. Even a layman of me can see that I am not professional enough in all aspects, (with a recitation tone, resentment) and can't hold the audience's attention firmly. However, the enlightenment meaning of this play prevents you from underestimating the act of dismissing their performance.
How far can art works with enlightenment significance go on the road of enlightenment appeal?
Another example is Huayi's performance in "It's All My Son" a few days ago, screaming that you can't be ignorant of your conscience when you make money.
But are the people who really need to be awakened among our audience?
Since conscious people strengthen their consciousness through various means, unconscious people appear to be more unconscious by comparison.
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