At that time, his face was very thin, with a particularly good profile, and he looked so tall when standing next to Tony Leung (calculating Zhang Zhen 178 and Tony Leung 174, I also think Zhang Zhen seems to be a head higher).
In general, in the black and white tones and the Wong Kar-wai-style heavy color light and shadow, Zhang Zhen looks very fresh (the few paragraphs in the white shirt playing football, turn off the music, it is completely fresh!)
This "freshness" attracts A lot of reveries:
1. Is Xiao Zhang gay?
2. Does Li Yaohui like him a little bit?
3. Does he like Lai Yaohui at all?
There is a plot to say that Xiao Zhang said that he likes "girls with low voices"... This doesn't mean that he is a straight man, I think so anyway.
In the second stage of the kick, Xiao Zhang deliberately hugged Li Yaohui several times. Li Yaohui stood there and smiled. Isn't this a hint? !
Xiao Zhang left Argentina and headed south, embracing Lai Yaohui with one hand in the bathroom, and the camera was shot diagonally from the top of his head. There was a kind of emphasis. What was emphasized? It's like the kind of inexplicable feelings like background music.
At the end of the story, Xiao Zhang went back to Argentina to find Li Yaohui, and Li Yaohui went to Taipei to find Xiao Zhang, but neither side saw each other. This is a very good understanding! So I think at least there is a good impression. There is no friend in a foreign country, no one who can communicate in a familiar language, long-term relationship, two people are pretty handsome, the director must just want you to think that they are ordinary friends as simple as ordinary friends.
"You are my only friend" is even more ambiguous, and even the best excuse for both parties to remain ambiguous without breaking the original situation.
But the greatest and most seductive thing is that the story did not draw a conclusion to these two men! This is the most beautiful place. There is even more tension than the story of Li Yaohui and He Baorong. Li Yaohui said that he had met He Baorong in the toilet, and he never wanted to go back again!
Life is moving forward. Regardless of your feelings.
In fact, Wang Jiawei is not narrating a particular case of comrades. In the end, the camera is still pointing to all living beings. Sadness is there, happiness is there, and then the feelings are passed, and a new road needs to be taken, and the rest of life is still going on.
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