was underwhelmingly directed by the political authorities, and still cared about his favorite tracks and Lina at the time. Whether Lina was his wife or his funny friend's wife, it became unimportant. With the development of a little bit of fragments, the conductor pretended to use his own power to retrieve the various members of the orchestra back then, even though each member no longer lives in the "art", which led to later arriving in Paris and losing each other one after another. How to make a living in another country. At the last moment, all because of a mysterious Lina text message to the appointment and gave a performance as scheduled. Lina’s daughter has also generously played the tunes that her mother and conductor were obsessed with. The conductor is no longer just intoxicated with the tune, Li The combination of Na and the tune is where he can't stop.
The manager of the orchestra who wants to engage in great communismism, first came to Paris in the name of the orchestra and then prepared to give a speech. Like the conductor, he has his own obsessive and crazy pursuit? The film mentioned socialist ridicule several times. In the end, the manager put aside his pursuit and helped the conductor complete the performance successfully because the conductor explained his pursuit in the spirit of socialism. In the film, when the manager said to tell a piece of bad news and a good news, the good news turned out to be that the character was so cute when he was booked at an unknown hotel, and he even ran to get sponsorship during the random shooting at the wedding, including A sneaky but awe-inspiring ocean-going phone negotiation in a basement. These vignettes, the
overall director hopes to be a warm comedy, but in the splendid symphony hall, when Tchaikovsky’s concerto slowly unfolds, there will be a little bit of it. Art is higher than the sympathy of life?
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