Film techniques are used very skillfully in movies. The play enters the story quickly at the beginning, creating tension, and at the end, the sheriff is very provocative at the camera with three bangs and bangs. These have very dramatic tensions. The formation of montage consciousness in technique, although it is still the transition of field to field, the initial transition consciousness has been formed during the transition. The film composition is full of plots, for example, when a train passes by, the angle is oblique, the most fringe is the character, and the far right is the train. The composition drives the overall mood. Moreover, the film emphasizes the narrative use of the background of the picture. At the beginning of the scene, the background of the picture is that the car arrives at the station, and the passengers on the car are restraining the robbers, and it is also foretelling. The background of the robbery on the train is the forest in motion, which is helpful to the narrative rhythm and is consistent with the content of the narrative performance. The most interesting thing is that the sheriff’s three bangs to the camera at the end. In the close-up view, the sheriff looks directly at the camera, gunshots sound, and smoke rises. Not only does it simply explain the existence of “law”, it is also about the film and the movie. The audience is dialectical, the narrative space of the film, and the exploration of the film's dissemination.
On the day of Griffith's victory in the United States, Bout had little development in the United States. After all, as a fast-paced art, film must adapt to the development of the film world.
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