Compared with Woody Allen's earlier, it's actually quite different. Although he is still nagging in this movie, there are basically no obscure political and philosophical discussions. (At least I can understand most of them without the Chinese subtitles.)
Danny Rose has always been in the dust, working hard for the performance, and the people he discovered have left him one after another to find another way out. He has to coax a woman for the singers he has cultivated, and take such a big risk for this woman, which is really in line with the general law of describing small-person movies-no matter how tragedy is, it can't stop it. But the ending is actually a bit warm.
In addition to the protagonist himself who is still very Woody Allen, in fact, this story is not special in his style.
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