I once believed that there were treasures in it, just as ecclesiastical jurists believed that all truths were correct, even if they were contradictory on the surface, they would definitely merge together in the end. I believe that all loopholes can be filled, and all disharmony can be explained. To this end, I have worked hard, argued, and been fanatical. EVA was at least an entry ticket. At that time, I was restrained, sensitive, with traces of being hit and hurt, and I didn't know what to talk about with people. Therefore, EVA is almost the only possibility that can mark a "common topic". At least subjectively, people who like it are ideal people, people who have pursuits, and people who are out of low-level tastes. That was probably the time period closest to the concept of "house", even though he didn't even understand the simplest otaku idiots compared to now. The highest love for EVA is that Cos Ikura Shinji is addicted, he was too deep into the drama at one time, although in the final analysis it is just to pour a block in the heart with an image, which is extremely ridiculously naive.
Even if I later gave up, I still remember that this work has become something that belongs to me to some extent. It used to be a medium to connect me with some individuals and some destinies. If it weren't for EVA, there would be no acquaintances, and if there were no self-righteousness, there would be no acquaintances. In the days to come, there were misunderstandings, estrangements, and separations, but they were not forgotten. I don’t know if the people who went to watch "Preface" on the big screen today have similar experiences. What are you cheering or reminiscing about, is it really just the film itself? Or, you guys, like me, once remembered that in a certain winter, across from the cramped computer screen, the self who was excited looking at the gun version.
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