However, this movie has a lot of internal injuries.
As suspense films, thrillers, internal and external atmosphere, the creation of plot tension is indeed not enough. There is no suspense in the plot, and there is no suspenseful gravitation in the step by step of the play. From the beginning, you can probably guess to the end, losing the sensible and unexpected gravity of the drama.
Every "turn" of the play is not well received, otherwise it will make people guess the purpose of the turn, or the trace will be too heavy, the turn will be abrupt, or the turn will be unreasonable, such as the house hunter. The girl, after breaking free, fled to the room, fell to death without warning, this turn was very sudden. In the end, the girl killed the assistant who took care of her father, which was a bit unreasonable. This is also because the scenes given in the dramas created by several characters are not rich enough or extreme enough, such as a girl’s desire for beauty, the pain of invading others’ sin, and this duality of good and evil. It will be better if it is sufficient.
All kinds of shortcomings create a slow, long, and boring rhythm.
The opening of the movie is well opened and closed gracefully, with French poetic tradition. The composition of the lens is exquisite, rich, beautiful, and overall smooth. It is grammatically appropriate. This is a good place.
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