1 Fence---as an image of imprisonment
2 Depression angle shooting---God’s
first glance at the movie tells how manny was mistaken and imprisoned. He is the innocent and poor wrong man, but in fact From a Catholic perspective, he is a real and eternal sinner. He is passive and passive. He has a tendency to masochistic. He is ascetic. He atones for sins. What's worse is that he lost his will and wants to compromise. His mother told him to pray. Gaining strength, once he started praying, the real robber was arrested. If you only focus on manny, you will not really appreciate the story that the director has crafted ingeniously.
If manny is a real sinner in a sense, who is that wrong man?
Manny's wife told the psychologist that they wanted to punish me because I gave up, I was guilty, they were looking for me, they would catch me, it was useless, they knew I was guilty. The scene where Many’s wife hit him with a hairbrush was carefully planned by the director. The portrait of Jesus is on the top. Manny’s wife is standing on the right side of the mirror. In the mirror is her profile, suggesting that a schizophrenic subject is being God judges.
Manny was tried by the court, his wife was tried by God, and he was released because of the arrest of the real criminal, and her wife, although the ending caption said that she recovered and was discharged from the hospital two years later, Hitchcock was talking to Chuffer When he said he thought she should still be in the nursing home.
Technically, who dares to use so many fences to deliberately express the image of imprisonment, and it is too cliché to use mirrors to express the dual selves. However, the intricate weaving of the storyline is still the work of the master.
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