The protagonist of the movie is a professional killer. Professional killers are well-trained, with clear thinking, careful observation, quick response, quick and decisive actions. In short, they have a very high awareness of the environment. Their pursuit of skills to the extreme in order to avoid killing. Professional killers are generally ruthless, lonely, without emotional ties, and almost like tools. In the play, a woman who only loves money later falls in love with a woman, a wife who loves deeply; a gangster loves his brother deeply. The three tangled together. I always feel that the screenwriter’s position is on the side of these three people, and he explains violence from an emotional standpoint. The craziest behavior of such a person who flatters violence and possesses the ability to commit violence turns out to be for the tenderness of his heart and the anger it leads. Professional killers with emotional dramas always feel a little cute. Feelings are his weakness, and people with weaknesses are not so alienated, so scary, at least it shows that he still has a little humanity.
Another: The unmanned gun in the play changed my view of shooting. Sooner or later, the sharpshooter wrote into history, and it turned yellow and precipitated on the paper. As long as it is hit by the light spot, the bullet will arrive later, making people nowhere to escape. It should be called tracking shooting.
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