Small comment

Marcia 2022-01-12 08:01:12

Recently, I have been watching movies and books about Italian realism, and I am a little confused about the style of realism. It seems that the works of realist masters are all in their own style, and the style of each piece of Buddhism is different.
It is true that Neorealism has taken me the sociality of the theme and the authenticity of the style as a whole, and put an end to the drama of the movie. Most lens language shows the life of the intact "movie characters" from an objective perspective. Even Rude Sika advocates not to use scene scheduling, and the shots are random. But I think this kind of randomness is very deliberate, and his purpose is to create a record-like style. In the play, for example, in this Umberto D, could it be said that his gradual progress made Umberto’s despair in life, from his failure to fight for power to his being driven out by the landlady to the failure of suicide to send the dog. The work is gradual and infiltrated gradually, is there no dramatic shadow?
Even I think the overall style of these Italian artists is more romantic and poetic than anyone else. This reminds me of the great novel "Les Miserables", a masterpiece of realism with romanticism.
I have benefited a lot. I really like a few particularly poetic scenes in this movie. One is the passage where the maid cleaned up the housework in the early days, grinding coffee beans, kicking the door with her feet, wet tears, and the loneliness of a pregnant girl was vividly described. The second is the passage where Umberto hesitated to beg. When he took out his hand, he even had the charisma that Chaplin had created. When the giver was about to give him money, he turned it over as if Feeling the sun, the lofty self-esteem of the downfall, is a fairy tale of Italian aristocracy, which not only reminds me of "Leopard". The third is that the human and dog bid farewell to the passage. When Umberto finally decided to leave his "last intimacy" and he was reluctant to go back again, the puppy staggered and ran over. This scene is touching.
I have always been influenced by feature films. When I practice writing and professionally learn to arrange dramas, I have always made very "big" things. Either multiple themes are arranged in a short story structure time, or just Pursuing the exaggerated plot of the story often distorts the details and reality. The plot of this movie is very simple, and I also found a direction for the next training-simple, delicate and true.

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Extended Reading
  • Alvera 2022-03-26 09:01:10

    This time, Desica turned the camera on the Roman citizens who were struggling to make a living. This is real life. Some people sit and collect rent every night without any effort, while some people do their best just to survive and to have a stable nest. The part where the old man went to the dog slaughterhouse to find the dog was particularly good, and it portrayed the characters' anxious and uneasy psychology with twists and turns. The climax part of the old man spent the night in a hut full of holes and dust to pack up and decide to say goodbye completely, including saying goodbye to the maid in a dejected and calm way at the door, and trying to get rid of the puppy several times. The passages are all wonderful, simply touching. The scene where the old man was forced to beg in the street with no choice but to risk his face is also a classic. The old man's inner struggle and entanglement are vivid and vivid. The role of the maid is also quite brilliant, and a few shots make the image of a smart and capable low-level girl vividly on the screen. Everywhere in the film shows the life style of post-war Rome, grand and nuanced, the camera is free and smooth, the soundtrack is also excellent, and the technology is basically flawless. A good movie worth watching again and again! 9 points.

  • Marilyne 2022-03-26 09:01:10

    A retired old man named Umberto was old and had no one to support. He couldn't support himself and his dog. Every day of his life was full of scorn and suffering. He decided to die with all kinds of worries and fears. The old people who have been used up and discarded by the times are really like wax residue in the wind, which is too cruel, and it is as uncomfortable as being scalded by hot oil drops. Using the unbearable experience of a typical character to reflect the darkness and difficulties of the post-war era, the narrative and performance are very realistic, and they are more direct than dramatic methods. #playwriting department movie list 34/100#

Umberto D. quotes

  • Umberto Domenico Ferrari: Listen, you need to leave as well. There are lots of jobs in Rome. Don't stay here.

    Maria, la servetta: She'll kick me out the minute she finds out I'm pregnant.

    Umberto Domenico Ferrari: Can't you go back to your hometown?

    Maria, la servetta: My father would beat me.

  • Maria, la servetta: Will we meet again, Mr. Umberto?