Look, this is all for Keanu Reeves. There are few news about handsome guys. One report is about walking on the streets of New York and chatting with homeless people, drinking and fighting alleys all night. This is in line with Keanu's usual style. I remember that during the years when I was crazy about Nirvana, there was also the saying that Keanu knocked on the door of the Cobain band and was rejected. In essence, he is a serious-looking guy with agitated heart. In this film, he continued the poker face, but it was agitated and hard to detect. Sometimes rumors are better than movies. Speaking of movies, it's really nothing new, a collage of various American dreams: second-rate drama actors encounter love collisions, unserving highway toll collectors are wronged and imprisoned, encounter old wise men in prison and then released after full sentence, digging Opened the theater to the bank's treasury, got the money but got off the car midway, dragged the wounded leg to crawl to the stage and the heroine to complete the dialogue of reality-mixing drama. Perhaps the other name of this film can better explain the problem "Push money to break love." Wuhan singer Peng Tan once sang a song called "Feng'er Takes Us Gone with the Wind". I think this is a very romantic fantasy. If the wind really takes us floating, the next day's paper media and web media will definitely appear again. Grandpa Wen's kind and sad face is set against the scene of the disaster, and of course the pair of sneakers. Therefore, the wind can't take us to float, it's a disaster to float. I think we are all driven by love. When you encounter bad love, the urge to float is there. When you encounter good love, you are very much like that young paratrooper. The whole process of falling has made you enjoy the beauty of the blue sky and the changing colors of clouds under ultraviolet light from different angles. You are eager to land, eagerly looking forward to the fulfillment of the soles of your boots on the grass. I think this is life, like a glass of ambiguous cocktail, the birth of the cocktail is also accidental. What you have encountered is also an accident. Don’t exaggerate the extent of your harm, because poverty will take you with you, love will take you with you, and all kinds of good and bad things will take you with you. The point is this way. You will experience everything that no one else has ever experienced, just like Henry was wrongly imprisoned. Three years of prison life improved his inaction. He successfully stole all the money in the bank vault. He chose to get off halfway and rush to the fake scene. On a real stage, he said to her (to the effect): "I don't want a cherry orchard, I don't want money, I love you." I think this kind of thing is quite moving, even though it is still a bad film.
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