terms of this preference, compared to the plot of the vampire in the second half of the film, the desire created in the first half of the film is still concealed. The kind of mysterious atmosphere is more attractive to me. Ancient vessels, carved silver ornaments, and gorgeous resurrection. These things stir every nerve in me, making people want to shout, let the magic and spells come more violently. However, when the plot gradually became clear, the vampires "out of the hole" and lifted the veil of mystery, the director actually began the evolution of vampires into humans. The plot is more and more full of the blood and lust of Hong Guoguo. Cutting your head is more agile than cutting a watermelon. Those female vampires with disheveled hair and long legs are not so much sucking your blood as they are tempting you. The exaggeration and simplicity of the fight is the Hollywood fast-food output of Chinese Kung Fu. You can fly several feet high in the air at every turn, flying legs, and somersaults, but these difficult actions are as easy as hitting a breath in the film, and there is also Hollywood. The usual heroic plot, you can guess that Dracula will end in the end without looking, the evil power is finally eliminated, and the human spirit is immortal! Among them, in order to highlight the heroic image, the vampires have been put on the human body to varying degrees. Not only are they slow to respond, but they also make eye-catching gestures with the male protagonist. Boss, is it a vampire, okay? When fighting other people well, how come you suddenly lose that magical speed and power when you get to the male lead? For example, when a comrade vampire saw the male protagonist pull out the silver knife, not only did he fail to show his due cruelty, he immediately gave him a "fatal kiss", but moved his head up and swayed, as if saying, "Cut me," Cut me down." In the end, I can only congratulate this man for finally getting his wish, Amen.
But obviously the director is not satisfied with this kind of Hollywood routine and wants to find another way. So for some logical plots, he did not explain clearly. Originally, I thought that everything Dracula did was because he loved the heroine so much that he wanted to act a ghostly relationship with the heroine. I couldn’t help but have sex for a long time, but I didn’t realize that our Lord Dracula just wanted to Turning the heroine into a vampire who is as indifferent and ruthless as herself, the pink ambiguous atmosphere is not there, there is not! Therefore, for the big trouble of the German master, we can only say that the heroine, you can't blame the director. Next time you go out, look through the calendar, or better relationship with the screenwriter, and arrange something that makes sense for yourself. Reason for appearance.
Of course, for the interpretation of Dracula’s identity, this film is still very innovative (or rather talkative. In other words, I have been wondering whether these Western vampires are treated like the fox spirits in ancient my country. Dryads, people do their best to give full play to their YY skills, and arrange periods of bizarre or miserable or mixed life experience for them. Thought (humanity) is really a terrible thing (species)). The film actually moved Judas out, extended his traitor career, and magnified his hatred with Jesus infinitely. Damn, I won’t let you go if I die as a vampire (how much hatred should this be?) , Of course, whether it is Judas or Dracula, no matter how to toss the final ending is the same, they all end up in a tree. By the way, the hanging picture was taken very beautifully and very artistically. God really is an old man who loves harmony.
Although I have been complaining about it, I still like this movie. No way, I can't resist this tune.
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