The best representative of English literature is Jane Austen, innocuous but really embarrassing little joke, meticulously doing the responsibilities of gentlemen and ladies, and let everyone know that they must remain silent when they are silent, "I Knowing, but I’m not telling you,’ the “seeking” behavior made them feel very satisfied, but it did not prevent them from spreading rumors in private and claiming to disclose it when they were confident that they would not harm the person. . In short, they all seem to be talking about other people's affairs, revealing a calmness or indifference that has nothing to do with them. In the British aesthetics, because it is implicit, it is elegant. Alternative writers like Emily Brown are simply wonderful works in the British literary world.
Stubbornly, sternly, sternly, and sullen to death, people all over the world have reasons to dislike British men, but this does not prevent us from liking British men for exactly the same reasons. Because there will always be a stage in life where you like the love that ends, the light and the shadows. The passion of restraint, the indulgence of forbearance. When evaluating Jane Austen, Maugham said: "You always think that something big will happen tomorrow, but when tomorrow passes, nothing will happen." What happened. There is no eachother, no desperate, no true confession, no flying far away.
But just this point-to-finish can also make people fidget. The ladies of the Moulin Rouge have to lift up their skirts to make men crazy, and the ladies in the suburbs of London can still make you flush. This is British sexy.
In the calm and calm, British films and actors have become accustomed to the tepid state. "Morris' Lover" can be regarded as passionate, it is much more exciting than the director's last work "A Room with a View". Especially the scene where Morris leaned his upper body out of the window on a rainy night, letting the heavy rain pour him through.
Like many people, I love the passage where Clay and Morris studied in Cambridge. The most beautiful thing is not what really happened, but the moments of what might happen. Yes, I am so affectionate. Britain advocates an elite culture. Morris and Clay are among the elites. They came from nobles and went to Cambridge. Clay went to the legendary Trinity College. The daily life of these beautiful teenagers is to lie on the cashmere carpet and talk about poetry, play Tchaikovsky in the dormitory with piano, read ancient Greek classics in the exquisite 6-person small class, and discuss the society and society of Athens by boating on the green River Kham. Christianity. At that time, Oxford and Cambridge were a hotbed of homosexuality (Oxford just walked out of Wilde), the boys were in their "best" time, Klein's affectionate and restless eyes, and Morris. With overly dazzling blond hair, both of them are indescribably beautiful. They accompany each other day and night, fight and squabble, linger on the ears and temples, and secretly love each other. Isn't it just like you and me back then? "Qia classmate boy", attracted by each other's youthfulness and publicity, felt love, expressed love, and got the same response. Is there anything more delightful than this? It doesn't matter if the other party is a boy or a girl.
It was Clay who inspired Morris. He played the piano with him and handed him the bitten apple. He was waiting for him outside the church. He complained to him about his family dispute. He even said "I love You", but Morris made a deterrent, he wakes up late, but is more radical and enthusiastic.
It’s not difficult to understand why Klay rejected Morris later. As a lover Morris was too enthusiastic and not as enthusiastic as a gentleman, but he was so persistent. Just stay by your side, this kind of perseverance is an authentic British style.
If you can't keep your lover by your side, just keep yourself by your lover's side.
In the first half of the movie, the beauty is smashed, and the second half is tangled. After Clay got married, Morris was the most ecstasy of the time when he was dating as a friend. Whenever Morris appeared in the picture, he could feel the lust and desire that he suppressed as a grown man and a mature man. He wanted so little, but in Clay's opinion, it was already too much.
Still eating and hunting calmly, drinking and playing cards calmly, Morris was frantic in his heart but calmly in love with Clay on the outside. Morris like this is very man, or full of males. James Wilby's first screen show was so superb. The gentleman’s gentleness and calmness, the lover’s enthusiasm and deepness, the man’s toughness and forbearance, these seemingly contradictory temperaments are all natural in him, portraying Morris into a complete gentleman, a pure lover, and an absolute man. !
Clay played by Hugh Grant is a master of flirting. He played sorrow to Morris, and recommended a drink to him, so that Morris could understand his own mind ("sorrow" was written by Tchaikovsky to his nephew and was also the work of his homosexual man, The "Meeting Drink" describes Plato's views on the "yin and yang" who are both men and women); he refused to kiss Morris when he was rolling on the grass, saying that this would only make the two of them sink deeper and deeper; his face was cold. Ask Morris to help him untie the cufflinks, casually tore off Morris’ bow tie, and shut him out of the door in anger, just to punish Morris for growing a beard without his consent; fainted the night at Morris’s house , He forced Morris out of the room like a spoiled child. Willful, cold, naughty, such a lover, who can not love?
The most interesting rivalry scene is that Clay mistakenly thought that Morris had made a girlfriend and ran jealously to congratulate him. He talked to himself, and anyone could see that he was insincere. What "do you feel that a woman is better" or "it seems that we have finally understood things", in fact, can be summed up in one sentence: You dare to make a girlfriend without me, I'm so jealous! He said "I have never forgotten the past, I just don't want to mention it again", and then unexpectedly raided the back of Morris's hand, and then reluctantly asked Morris to give him a kiss! Is there any more grandiose flirt? Is there a more explicit confession than this? Every time Clay's refusal was a cruel temptation, to see how persevering Morris' love could be. Clay enjoys this game, and the beloved takes the initiative, which has always been the case. This is one of the few solitary scenes between the two after Clay got married. What makes people breathless is that every second, as long as Morris is less restrained, it will detonate passion, and if Clay is more weak It's just a lingering!
Look at how Morris, who is one of our muscles, has been provoked by him? Climbing the window to sneak into Clay’s room in the middle of the night; offending the superintendent to date Clay and being forced to drop out; kissing Clay in front of his mother; treating his sister as an imaginary rival and almost tearing her to pieces; noisy, shameless, Reluctantly, smashed the table and smashed the bench, but in the end he came to Clay’s wedding obediently; every time he met, he had to endure the torment of his lover being close at hand and unable to linger, but he continued to frequent Clay’s manor; Morris’ love He is so masculine, he is energetic, moves fast, he looks like a nobleman when he lights a cigarette, and he laughs so brightly and brightly. He sweeps away the gentleness and gloom of homosexuality in our impression, and successfully rectifies the name of homosexual people!
Despite the torture, I would rather Morris keep loving Clay like that instead of being tempted by Alec and not running away with Alec. Even if the betrayer makes many mistakes, the left-behind should stick to his love ethics, right?
If you love someone silently for many years without getting a response, you have the right to choose another person. However, we are sometimes unrealistic, are we? Hope that love is a lifetime thing.
I can not love you, but my dear, please continue to love me.
I am angry with Clay, because of his chaos and end, because of his cowardice and mercilessness. But what can he do? In Britain at that time, homosexuality was going to be jailed, and it would ruin both people. Why doesn't Clay love him as a straightforward little lover? Every time Morris leaves the manor, Clay has only one request, which is to come back as soon as you can (as soon as you can), because he can't bear the separation; every time Morris is sent to the end, whether it is on the platform or in the rain , Because of reluctance; every time Morris is interested in another man, he will speak ill of that man because of jealousy.
When I came back from a speech, I saw Morris playing cricket happily with Acrylic. Klay’s expression was extremely unhappy. He ran on the court without changing his clothes. He couldn’t stand the way Morris had that with other people. tacit agreement. When the director showed the triangle relationship, the rhythm was controlled properly. Although there have been scenes where three people appeared at the same time before, this is the only frontal conflict between the new and the old love. It is still not clear, but everything is clear. The five-minute drama is really beautiful.
However, rather than the triangle relationship, I would like to recall those images that belong only to Morris and Clay. Clay was always walking around and chattering endlessly, while Morris liked to sit alone and smoke quietly. After Clay got married, the two seldom get along alone, but no matter how many people are present, it’s just the background of the activity. The two men use this "distance" to talk about love. They don’t even talk or look at each other, but just let People feel affectionate. Every rivalry scene is intriguing. The person who refuses is clearly teasing, but the person who gives is always defending. It moved and remained silent, as if the waves and the rocks competed during the high tide, every time I was exhausted, and the next day I started again!
When Morris finally told Clay that he had decided to live with Alec, I felt a sense of revenge like Morris. For half a minute, Morris was even chasing after him, and poor Clay had already Weak to parry. Seeing the other person in pain, to prove that the other person is still in love with yourself, isn't this a common trick we use? And continue to get satisfaction from it. In the struggle of love, Morris won the only time, and it was a complete victory! In one minute, Clay was out, and there was no chance of a comeback. Clay just married a daughter, and Morris found himself a man.
At this moment, I can't help but hope that Clay will save Morris, and Morris will really stay for him. However, this is not an idol drama. To love or not to love is the same as despair, no one can do anything about it.
Clay's panic and awkwardness, his indiscretion and Liushen Wuzhu have satisfied both me and Morris, can't ask for too much, can they? Losing is a momentary thing, the pleasure and pain are only 0.01 second of brain wave vibration, whether we escape or enjoy, we are caught off guard.
When Clay looked out the window and muttered to himself, his confused eyes proved that he had kept his promise to Morris: If one day you leave me, I will spend the rest of my life in half asleep and half awake.
Wilde said that there are only two tragedies in the world: one is wanting but not getting; the other is getting.
Fortunately, Morris and Clay belong to the former.
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