The whole narrative is narrated in the first-person narration. Many comparative scenes and stories are piled together to unfold the traces of time and history and appeal to the beauty in human nature. The climax of the whole article is the death of his father in a mining disaster after the religious trial of Hahnt and Grafitt. In the whole story, two relatively important events and characters have settled on the plot one after another. In Xio's reminiscence shots, the beautiful repetition of the children's perspective has closed the whole story. When narrating the narrative, it feels like it is not easy to do. It doesn't continue to develop, and it can be portrayed as a light style, but it is not what I like. For example, when it comes to the contradiction between workers and capital, the contradiction escalates on strikes, is hostile to the old Morgan, and resumes work. In the language of the camera, there are things that derogate from the class. They are mentioned, but they are not resolved, or they are not resolved completely. There is no sense of strength. Another example is Xiu’s study. This is a very long article. After doing everything possible to endure the humiliation, he got a good grade. Without any preconditions, he can’t go to school. It's different, and it's a direct transition later, too tough. The main force against which the subject is positive comes from class. Naturally, the same class is almost equal, and the impact of the subject capital on the past beauty is weakened.
The performance style continues a lot of silent films. This style separates the recording style that the director wants to describe. Although the original intention was to add color to this sad movie, many of the shots are recorded with color. Not the same.
The advantage lies in the director's grasp of the scene scheduling, the use of light from high-key to low-key, the position of the actors, and the contrast between the distances of the shots of some scenes, are very dramatic. The whole lens is mainly an elevation lens, and I can feel affirmation of these people. However, too many such elevation lenses in Morgan's house add a sense of reluctance to such a cozy place (the ceiling and the characters are connected) .
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