my favourite, Reivew on A Man Escaped

"His aesthetic belief is to use movies to integrate music and painting, not drama and photography." Looking at every part of the body, especially the close-up of hand movements, the feeling of light and shadow and three-dimensionality is too much like a drawing. The camera is a pen, and the hand is a plaster statue. The whole environment is rarely explained by pictures, mainly relying on the reactions and voices of the characters. Sound-Is it subjective or objective? You know clearly in your heart that the director emphasized the sound he wants to emphasize, but it is difficult for you to find the combination of objective sound and the emphasized sound. The connection is perfect, and you don’t even realize when the music entered. .
Watching Bresson’s films, the viewer’s “outer consciousness” (a state of self-consciousness) can easily be dispelled. After watching it for a long time, I still didn’t want to understand how he did it.
When it comes to the "prison break" movie, probably everyone's fastest reaction is "Stimulation 1995". In that movie, the protagonist did get help from some people, but the protagonist's abilities were incomparable to others like a "god". In the Bresson film with the same theme of "Prison Break", the child who has not met, the three strangers outside the wall, the old Jewish man, the man who tried to escape and was captured and shot back, the priest, and finally with him Children who run away...Without their friendship and trust, the protagonist cannot escape. Everyone is a noble and great ordinary person just like the protagonist.

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