To be honest, I was a little tired soon after the beginning of the article. It is really a matter of personal preference. I really hate the "eunuch" Nicolas who is not straight or straight. If the love of fantasy is raised by such a bitch, it is really meaningless.
but.
The second film is the same as Xavier's first film, with strong color blocks, lengthy narratives and the splicing of MVs. This "little emotion" is just right to hold this "little emotion" in place. The section between Xavier and the artillery friend, after the color shot, is simple A few lines of dialogue, the same Bach's cello in the same scene twice. There are also several uses of the main keynote bang bang, which is really awesome! Also, at the climax of their jealousy, I heard Fever Ray's Keep The Streets Empty For Me. It was a thrill at the time. The drowsiness that came up from staying up all night was gone. In this way, with the appearance of these three songs, my personal affection for Xavier instantly increased by two points.
But to be honest, in terms of film technique, apart from disapproval of the big theme, I personally feel that I still love this film. All in all, in a word, the technique of the previous film, the small overlapping of the small composition and the small emotions, are very beautiful. In terms of content, it is actually not as pleasing as the previous film. In the upper part of the film, there was so much tension during the countless quarrels between Xavier and his mother! There is also a sense of distance between the left side of the screen and the right side of the screen, and the beautiful ending! And this film, this kind of fantasy love, indeed everyone has skin pains, but Xavier caught this time is a love triangle between a disgusting "eunuch" and a pair of girlfriends (an unfounded "love"), it's nothing. Universality is nothing more than the fact that the interview link of the pseudo-documentary expands this kind of fantasy love, compulsively and inductively resonates. What does wood mean. You are not Peng Haoxiang's Zhiming Chunjiao. Interviewing the surroundings of the "party", ridicule increases the emotional impact of the film, and you are not Jia Zhangke's Shanghai legend. You avoid the importance of purely thick themes. Is it just to use form to make up for the lack of resonance in the theme? Maybe everyone has seen that this form of inducement is easy to resonate with the audience, and they all started to play.
Can.
Once you are a film director, you can make it bigger. Anyway, your goal is to get the audience's thoughts after the audience enters the black room of the movie theater. If you step down to seduce you, you might as well keep raping hard, and come straight away.
PS: Regarding the jealous scene of the two girlfriends in the film, it reminds me of the female monkey in Shanghai from time to time. Before a holiday two years ago, at a certain intersection in the school. Nothing to do with others, just about the mother monkey you and me. You will remember it all your life.
What else? It's all right. Xavier has always been very eye-catching!
Oh, I laughed in the last three minutes, really because of the look in the eyes of the two girlfriends when they saw the "eunuch" Nicolas again a year later! Too sharp!
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