The movie poster is very intuitive. It is not the wealthy or the rich who take such family portraits. What kind of bar do you want to lift? If you don't believe me, you can also show off, to see if there is that momentum, can it be suppressed?
Those who can be integrated with the palace-like background basically have to grow up in the palace when they were young. There is a tacit understanding between each other, like the low-key men and women in the poster, as if they grew up embedded in a picture frame. Characters, don't take one step beyond the thunder pool. Assuming you’re from outside, it’s okay if your family background is similar. It’s just a change of place. The rules and red tape have long been imprinted in your mind, melted in your blood, and implemented in action. The so-called right to each other; the suffering lies in those things. Those who fly up to the branches and become phoenixes, even if they temporarily hug the Buddha's feet and devote themselves to making up for the evil, and tremblingly to be exquisite, they can't make sure that they step on the wrong drum. That tiredness can only be described as physical and mental exhaustion, right?
Therefore, the peach-colored hostess Emma in the poster is incompatible with the background. Although she sits in a proper posture, she can't hide the stiffness caused by tension, especially when compared with the ease of the other characters in the poster. That's right! Emma is a Russian girl, oh, that was before her name was Emma. Since being married by a wealthy businessman from Russia to Milan, Italy, Emma has become her name, which has changed along with her name, as well as her identity, language, class, and even eating habits that reflect her background. So, what we saw was Emma who tried to assimilate into the background: nominally the hostess of the mansion, she was beautifully dressed and adorned with jewels, carefully preparing every feast, and striving to please every host and guest, except herself.
Yes, Emma can be said to be selfless. This kind of selflessness is not the neglect of one's external image, but the indifference to one's inner world. From her gestures in the hall to the kitchen, what we see is a middle-aged woman smiling in front of a person and looking dumb in the mirror. As the head of a big family, she was halfway through, and how much Emma has put in can be imagined from her fluent Italian.
Emma loves cooking. Like all women who love cooking, every soup and soup is a love of a better life. The family has become accustomed to her delicately cooked food and no longer expresses surprises. For Emma at the table, tasting is only second, the first thing is to ensure that the dining process is foolproof. Therefore, in the half-day free time of stealing a floating life, supposing that there is a superb delicacy embellishment, it is no more than heaven's love. This moment came inadvertently...
Chef Antonio is a friend of Emma's eldest son, and his cooking skills are first-rate. When he came uninvited in the night with a cake, no one would have expected that what he brought was the power of destruction. If it is said that there must be light after darkness, then Antonio should be a match to ignite the light in advance; if Emma has lost herself since becoming Emma, then Antonio should be a lost and found notice , Remind Emma to claim her lost self a long time ago. Chef Antonio is to Emma what forest watcher Milles is to Mrs. Chatterley. Appearance is inevitable, fate, and a pill to awaken the body and soul. After Emma's Antonio appeared, Emma discovered that the tailor-made high-end fashion was actually quite constrained; the high heels that had long been accustomed to the feet became shackles; the home in the deep house compound suddenly looked like a birdcage, and the same life was also like a stagnant pool; The exquisite life that I finally got used to, suddenly became an illusory mirage.
The struggle between the soul and the flesh is a struggle between the result and the process, which is inseparable. The desire to come like a storm awakens the soul that has been asleep for a long time. The awakened mind needs to find the home, the home of the soul and the flesh. For Emma, if the soul is asleep, it must be the body that shed tears; if the body is asleep, it must be the soul that shed tears. After removing the package of the Chinese clothes and letting go of the annoyance of the blonde hair, he can finally enjoy the most authentic and natural spiritual pleasure that Emma has longed for for a long time but cannot express. At the moment of the electric light and flint, everything came naturally, like a storm and rain and dried up, like a gentle breeze and drizzle, and everything was silent...
never going back to the past. That seemingly stable family, like a picture frame on the wall, twisted and shattered under the impact of unexpected external forces. Originally, the characters who did not belong to the painting finally had the ease of being released. Although this ease, the painful price paid was the destruction of the family.
The pair of high heels that belonged only to Emma was finally abandoned after Emma regained her identity as a Russian girl. Yes, the shoes do not fit, only the feet know.
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This film is clichéd without Tilda Swinton. What she stood on her thin body was the aura of the king, starting in Orlando and continuing in I am Love. great!
Lady Lyndon in Barry Lyndon is pale and sickly and still beautiful; Marisa Berenson's mother-in-law has the shadow of Lady Lyndon faintly between her brows and eyes, she is still a model, praise!
The music is accompanied by the plot, "Big beads and small beads fall on a jade plate". great!
It’s always suitable for light makeup and heavy wear. great!
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