The beginning of the film is a flashback, starting with a scene captured by a helicopter on the second day of the battle of life and death. Then the hero of that battle suddenly checked the outpost, telling how his former comrade in arms was shot to death. Then it returns to the scene where the former hero received the commander's words. If you didn't pay attention, you thought it was going on from the narrative just now. In the middle, the operator interrupted the battlefield recordings that were accidentally recorded by the radio on the day of the war sent back by the command headquarters. Then he returned to the previous "company of heroes", telling the story of the soldiers themselves...it was chaotic. Actually I don't like this kind of editing very much. It's simple and messy. With so many people, only the director himself can tell at the beginning. How can the audience remember the relationships of so many characters! It's not the well-known "Water Margin", Rao is 108 can also distinguish the audience.
In general, I feel that the film is a bit too focused on the personal trivial feelings in the war, so I will go into details. There are too many personal details in the play. The portrayal of group portraits should not be a few strokes for everyone. It should be better to have a focus. After all, the film time is limited. The guy who likes the mechanical dance in it very much, the elevator performance is also very brilliant, he can be on the show of "Grandpa Bi"! There are a few songs in it that are so flavorful. The sorrowful voice of the "smoggy" voice in Islamic countries is simply irreparable! Unfortunately, it is difficult to find such a song.
At the end of the movie, the hero goes to help the statue is too "the main theme". Seeing this, I quickly skip forward and skip it. It's all like that, don't let the hero do such hypocritical physical work! It seems that it is the same in any country.......
View more about Nefes: Vatan Sagolsun reviews