This time the company organized a tour and saw everything in the car. Xiao Ma went to Taiwan alone and killed the first paragraph in the nightclub. It is indeed a model of Wu style. The use of slow motion and the scheduling of the scenes are so loving. , I now understand why later Hong Kong movies are always entangled in the relentless betrayal of brothers, the new generation kills the old generation and other routines.
However, I’m not too cold about these kinds of movies now. Of course, Wu’s is good, but when you’ve watched old western movies like "Sunset Sands", Suzuki Kiyoshi’s gangster movies of "Killer’s Brand", Melville’s After bandit films such as "Red Circle", the shameless praise of Wu's violent aesthetics on domestic TV now is too much (the other is Shamelessly touting Zhou Xingchi in the nonsense). In this genre, Wu does not show up in the mountains. , But just one of a group of peaks.
In addition, I can't get used to it. In the rain of bullets, Xiao Ma stepped forward and ran out of the bunker, and shot in unison. The other guys jumped out to feed the bullets. This is too fake, and it is the same as the heroes of Gao Daquan in the old revolutionary movie.
Of course, this film is indeed masculine, but this kind of masculine film tends to be too rough and not detailed enough. For example, why Taiwanese people turn back against the water. Why would Xiao Ma go to Taiwan alone instead of committing an assassination, but a mass murder? After being mixed for so long, I didn't have any money. I broke my foot and fell to the bottom of the society. There are still many details that are not very good, which is strange.
View more about A Better Tomorrow reviews
