It's a pity that when I learned about this film, it had already passed its release date. But it's still very unbelievable, because at the time when it was released, I used to hang out in the cinema very often, and I thought that the poster had to be made so inconspicuously that I could not see it at all. In short, it is really awkward to miss the scene of watching the muddy running naked on the big screen. Look, that era always made me awkward. Until today, I finally saw it, so my roommate and I started to grieve our wrists together. Ann Li is still very reliable. He shrinks very far behind and puts the era forward. Apart from talking about Woodstock, he also reminded everyone of landing on the moon (again, because they didn’t see it) and the Vietnam War. To sum up throughout the article, it was just a coincidence. Looking back on that era, it was really too much accidental. The accident at that time has all achieved the present inevitability.
Look, I really saw it in, and my words became so confusing. Speaking of this kind of dialogue, it is a big laugh in the film. Those hippies are really close to the universe, existence, peace and love, metaphysically to such an extreme, it is really cute. The whole world is what it is like to be a poet, that's how it is. Poetry is actually the cheapest in literature, just as sex is the cheapest in a relationship between men and women, but the cheapest is always the most enjoyable. The most pleasant one is naturally the shortest. The beauty of poetry is over in a few words, and the beauty of sex is over in a moment. The Woodstock Music Festival is over in a few days, and that era is over.
If it weren't for the later AIDS, I would love to know how that era would end. But if this is said, it seems that the occurrence of AIDS seems to be inevitable, just like the condemnation screamed by those believers.
There is An Li of Brokeback Mountain in his heart, but he cherishes the memory of that mountain in 69 years. Sure enough, he didn't see Lu Shan's true face. It was only due to the ingenious techniques in this mountain. The Taiwanese people's favorite small and fresh, but Ann Lee's side is not artificial and cute. The film’s director’s skills are as plain as Japanese sake, but as refreshing as Japanese sake. The most wonderful thing in the whole story is the mountain in the depths of the cloud.
Compared with that era, the film is only mediocre. I think the score of 6.9 on IMDB is really fair, 69, 6.9, "69", it is a series of accidents.
But in short, thank you, Ann Li, for letting us post-business prostitution for the good times caught in the middle.
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