I never think that documentaries should be absolutely objective and calm. Observation is of course necessary, but your physical and mental dedication is also necessary. The photographer cannot always observe the fire from the sidelines. First of all, you must know that even then you cannot maintain an objective. What is true? This is originally a very false and very dependent proposition. What's more, objective conditions are determined. Once you pick up the camera, it means to record selectively, plus post-editing. It is absolutely impossible to restore all the facts, subjectivity is inevitable. And that kind of indifferent attitude is destined that you will never be able to intervene in the center of the event. If you do not unite with them, you will not be able to understand what those people think. Wenders is different. A considerable number of subjective shots are used in the film (compared to traditional documentaries). You can understand that what we see is what the old men see is what the director sees, so we all The Trinity has become one, because our masses have also been incited, and we have a certain sense of participation.
I like the old man playing the piano most in the diamond striped shirt, especially Yi playing the piano in the gymnasium. The children practicing gymnastics around sway to the music, and Yi recalls in the park full of sturdy monster trees. In the past paragraphs, the lens had close-ups on his wet eyes, and at that moment my tears almost came out. . . There are also a few people playing at the beach (or the lake?), the camera shakes and shakes, into the water, calm water, faint ripples. Hey, the bones must be shaken off. . .
correct. I also like the floral dress of the female vocal, and I must get a set to wear when I have the opportunity to go to South America. . .
All in all, it is very awkward, and only a middle-aged literary like Wenders can produce such a film. It happens that he is still a Leo, and the whole tone is still very pleasant. If you don't look carefully, you can't see the sadness that is almost negligible. . . .
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