The typical American muscle film reminds me of some films from the era of Shang Yunton and Steven Scott. The male protagonist is always full of muscles, and then breaks the ring everywhere, usually for revenge or to save the world or to be angry. Later, I saw the poster of the film, oh, the director of "Die Hard 2" and the producer of "Life and Death", no wonder they seem to be familiar with each other. However, the use of old moves can easily cause aesthetic fatigue. The audience of movies that rely on muscular men to do damage and save the world is no longer buying it. The starring role in this film is a raw face. It is said that he is a WWE champion. I remember Rock is also a shit champion. Besides muscles, what else is there? Hugh Jackman can also discharge in addition to muscles. With neither big names nor new ideas, it is strange that the audience would buy tickets. The action scenes of this kind of film are getting bigger and bigger, but the drama is getting more and more stinky. To be honest, in terms of scenes, no matter how hard you work, this kind of tens of millions of dollars can't make a big summer movie. If you don't work hard on the script, it's really a shortcoming and avoiding the long. The title tells the audience that it is the 12th round, so it is destined to wait until the end of the 12th round to determine the winner. Without a KO, there is no suspense. The logical plot is full of loopholes. The time is simply not right. I want to set up a bureau. It is also inexplicable. The FBI and the police have lower IQs than the audience, but there is no warning at the critical moment. The last thing is The ending came to a hasty end, and the heroine was magically unscathed for a happy ending. For B-level films, do it thoroughly, and learn from Quentin, then you can get a head start.
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12 Rounds reviews