This is a film about men finding themselves and defeating themselves while they are lost. The film presents the righteous self and the evil self vividly and practically. From the very beginning, the girl was surprised that the ink appeared not afraid, but later when she gradually learned the result, she realized that the itinerary of the ink pulling Emma and the storyteller is not exactly the actor's itinerary in the workplace? Along the way, he didn't hurt them, didn't care about them, he just pulled them, the storyteller represents love (she is beautiful, strong, tolerant), she and Emma are all in the heart of the hero. Love, in fact, they are all in his life. He did not abandon them, but did not take the initiative to embrace them, and even attacked the good subconscious awakening occasionally, but he did not abandon them after all (just put them in the wrong position , They should be held in their arms instead of behind), this is the fundamental reason why the righteous me defeated the evil me in the end.
The blind pathfinder in the film represents hope. He is always optimistic but also stumbled, but hope is hope. He is the key factor in my victory. Without him, there is no victory.
The ink scars represent the shadows and low self-esteem left by the actor's childhood. The purpose of his persistent walk is to prove that he gets rid of the scars. And those nightmares are obscured by the actor's colleagues, it is they who let the actor get lost and let him leave the family out of the cold, as long as they keep occupying him, he will get lost further and further.
The victory of Zhengmei reveals a truth to us: defeating ourselves does not require others to help us, as long as we have love and hope, we can achieve success. But the enlightenment for us is: don't let this victory come too late, let alone the loss of some kind of love as the beginning or the price.
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