The myth and enlightenment of the confrontation between Helen Keller and Miss Sullivan

Lukas 2022-01-10 08:02:42

Bergman described the soul like this: a dark room of the soul.

For Helen Keller, what kind of state is he in if there is no language (the kind that can communicate with the society around her)? What the movie shows to everyone is her irritability, willfulness, and wanton behavior, (pay attention to what is covered?) So the appearance of Miss Su Leiwen played a role in civilizing and domesticating Helen Keller, even though the movie has to tell The main theme is Su Levin's behavior as an educator and the role of love, but this is not to be discussed in this article, but to discuss language, the way to realize Miss Su Levin's education of Helen Keller.

The signifier and the signified here are different from the familiar sound-image and the indicated object, because the sound may be missing or only exist in the mind, but the image that represents the sound is there, even for For Helen, it is strengthened, not only in the process of gesturing, but also in the process of comparing signified in her heart. Signified (domesticated) is completely consistent with society, that is, when she can communicate with her society From that moment on, her society has been docked and consistent with the society under the rules of language.

Although Heidegger's "unconsciousness" or the "language is a game" of the French 60s was so shocking in the philosophical world, I myself believe in this transcendental power, as Foucault said: Transcend all specific boundaries through humans Helen’s mysterious ability to think, and actually manifests this ability to cause fatal vertigo. In Foucault’s view, this kind of “fatal vertigo” is often associated with madness, sex, and dreams. Helen did not accept language. The state of pre-education seems to the world to be a kind of madness. It is to be sent to asylum. Some people may object to whether Helen "thinks" at that time. Then when Helen first understood the babble when the baby was born. wa (water) Once again, at the moment when you can feel the water and wa wa is confirmed in the gesture (signifier), isn’t it a confirmation of the thought? Although the film is the most exciting at that moment, but The light that bursts out at the moment of the connection that it is trying to describe is no different from the kind of praise for the light of the Enlightenment that confirms rationality, and it is different from Foucault's praise of "the mysterious ability to think".

But the paradox is also here. If no practice (rationality-language) is established, how can it be represented even if there is a priori? Although the long-lasting argument of who language and thinking originated from seems to have some evidence in the previous paragraph, at least to me it seems to be a step forward. In other words, thinking is like a dark room of the soul, and language is illuminating (and possibly Is the light of destruction. If there is no language, how can a priori be settled? Foucault probably saw the undercurrent in this dark room (also derived from Kant), so he would go to another extreme experience from it. But on another level, if there is no language, how can there be the establishment of transcendental thinking such as Foucault's so-called "transcendence experience"? This is the biggest paradox I feel at the moment, and the most contradictory is probably the most maddening is the language-the original sin of reason that a non-mad person like me can't escape.

It seems to be such a process: "There is nothing" because of "being", and "being" is criticized because of the belief in "nothing."

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Extended Reading
  • Celine 2022-04-24 07:01:18

    The part about eating and fighting was so stupid, even if it happened in reality, it was stupid. The director exaggerated this part too much and made it look like they wanted to kill each other.

  • Demetrius 2022-04-24 07:01:18

    I actually learned that Anne won an Oscar from be kind rewind because of this, but after watching the stills, I found out that this is a picture of Helen Keller's text in the high school English book (Beijing Normal University Edition). The plot is not boring at all, but the whole film is really depressing, and the part of eating and fighting is full of tension, so in the end, when Helen finally understood the meaning of words, his emotions were released to the greatest extent, and I couldn't help crying myself. Anne saw why Helen didn't see herself as a child, that's why she was so eager for Helen to understand the world. I can't imagine how helpless I would be if I was deaf, dumb and blind.

The Miracle Worker quotes

  • Kate Keller: What are you saying to her?

    Annie Sullivan: Oh, I was just making conversation. Telling her it was a sewing card.

    Kate Keller: Does that mean that to her?

    Annie Sullivan: Oh, no, she won't know what spelling is till she knows what a word is.

    Kate Keller: The captain says it's like spelling to a fence post.

    Annie Sullivan: Does he now? It's how I watch you talk to your baby.

    Kate Keller: The baby?

    Annie Sullivan: Any baby. It's gibberish. Grown-up gibberish. Baby-talk gibberish. Do they understand one word of it to start? Somehow they begin to if they hear it. I'm letting Helen hear it.

    Kate Keller: Other children are not impaired.

    Annie Sullivan: Oh, there's nothing impaired in her head. It works like a mousetrap.

    Kate Keller: Then when will she learn?

    Annie Sullivan: Maybe after a million words.

  • Kate Keller: What happened?

    Annie Sullivan: She ate from her own plate. She ate with a spoon. Herself. And she folded her napkin.

    Kate Keller: Folded her napkin?

    Annie Sullivan: The room's a wreck, but her napkin is folded. I'll be in my room, Mrs. Keller.

    Viney, Keller Maid: Don't leave now, Miss Annie. Dinner'll be ready right away.

    Kate Keller: Folded her napkin. My Helen folded her napkin.