The movie was fun, but I watched it completely sad-the exact line starts with the truck driver introducing himself at the ramen restaurant table in the morning.
Goro.
In fact, I thought of watching this movie completely because of Oe Kensaburo. In "The Stolen Child", Gu Yiren repeatedly listened to the tape recorded by Wu Liang before his death, thinking about whether he was still in the forested countryside when he was 17 years old. At that time, the talented young man had already walked away unknowingly at night when the two of them hadn't really faced it up in their entire lives; the cello music written by A Liang was quiet and long and took the name "Goro".
I have always paid more attention to literature than movies, and I only thought of watching the movie of Wuliang’s prototype Itami XIII after watching the strange duo in one breath. In a sense, Da Jiang’s novels have never been out of the forests of the Four Kingdoms-"Among the Stolen Children". I don’t know what motivated and nourishes the tragic characters, chapter after chapter. Emerging to the deepest level of the soul: Oe Kenzaburo's book is different from all Japanese writers I have read before, and the topic of "how to accept lifelong friends commit suicide by jumping from a building" is not the kind that can be empathized.
However, in his impression, the talented, keen and handsome young man who studied French and read poetry with him, after many years have passed, how will he use images to communicate with reality? This curiosity has always been there but has always forgotten to watch his movies. Itami Thirteen himself is not considered the kind of good-looking one that he saw fifty years later-but what does it matter.
In which book of those trilogy, Gu Yiren mentioned that Wu Liang took a picture of him once, but when he asked to take a picture of Wu Liang, he was rejected because "you are still suitable to express in words." Then they went their separate ways and had no contact for a long time, until one day the contact resumed as suddenly as interrupted.
I also want to have such a friend.
When watching movies, I always subconsciously look for the shadow of Oe Shuri Oe Shuri through the joyful special training and the lively atmosphere. It is not director Itami Thirteen, but Wuliang who is one year younger than me now. After two hours of entanglement in this way, the imaginary young man with a bright smile but occasionally ridiculed his expression, the young man who created miracles in his heart, so he became a little bit clear and three-dimensional until he was fifty years old and still used the movie to point directly at him without mercy. The dark reality is joking.
And the friend who was standing behind him in his teens finally wrote him in the memory of many people like me who didn't watch movies very much in a more suitable way of expression in his twilight years.
So it finally became a feeling for a person derived from a movie.
For tragedy control, many things and feelings are no different from the past and the present. Time is compressed by 12 or 120 years. The essence is the same. Just as the title says, the meaning of some words and images can compress light years as power itself, whether it is time length or feelings. The unit of memory. So I still wish to believe that Wu Liang is in Itami XIII's movie, and Oe Kensaburo's expression is very successful.
View more about Tampopo reviews
