Science increasingly promotes the confidence of mankind to control things, which can inflate extreme ideas and create many miracles. It blends with human emotion and yearning, making us more and more affected by it, surpassing everything, and finally breaking through all the bottom lines of mankind. The guilt in the professor's heart and the mutual promotion of the scientific spirit have become the capital for turning the impossible into possible, so he has no scruples. The final appeal of the film is not the police and the law, but the moral conscience of mankind. Perhaps this is the fundamental way out. After all, they are external. After all, the human heart is not old, and it is not easy. Science as an instrument has its pros and cons. The worst thing is to challenge, reject, and oppose the foundation of human existence. If the film is shot by the Yankee, the policeman must raise the pistol at the end, shouting "Raise your hand", "Don't move", and then a long list of "You have the right to remain silent..." Wait, the Frenchman It’s not because they think it’s too cheap for the criminals, but because the professors and female secretaries didn’t get a good ending. That’s the pleasure. This can only be blamed on the Yankee’s lack of artistic talent. Wang Meng was in the Water Margin "Wu Song Painfully Kills Pan Jinlian" knows this kind of pleasure. Perhaps there is another aspect. The French generally think that their police officers are idiots ("Taxi Express"), and they are embarrassed very much, not to mention the burden of defending the country and the people.
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Les yeux sans visage reviews