Takahata and Hayao Miyazaki, Heijo Tanuki fights with Princess Mononoke.
Just as Hayao Miyazaki himself is a flying mad, his animations are also destined to be unbelievable.
Takahata Hoon is more like a craftsman, carve the things in front of him with a little bit of trouble, well-formed, honest and honest, funny all the way down, no matter how he looks like a drunk and wretched middle-aged uncle wandering on the road at night. So he doesn't like children and beauties, so he can't compare with Hayao Miyazaki at the box office.
Regarding the
environmental protection in this film,
watching the civet cats die one by one, I tried my best and still failed to link them to environmental protection. The first thing I thought about was Darwin and Nietzsche.
Just like the cameraman next to the reporter in Hotel Rwanda who didn’t know if his name had appeared, the person in front of the screen would seriously say "Oh my God, this is terrible" and then continue to
do what I am studying environmental science. It's
not just about environmental protection, I
don't know whether it is intentional or unintentional, but Uncle Takahata finally gained a lot of youth. Zhengji became an "adult" and became an office worker. His life at 3 o'clock every day made him exhausted, so it appeared. At the end, Zhengji took off his human skin and ran towards the civet cats,
but he can no longer take off his clothes and return to nature. Because people were driven out of Eden
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