In the performance, several people were a little apart. Pan Fu, Kate Qian, "Brother" light, Luo swayed and watched.
Of course, there is no problem with Luo's onlooker, but if he refines his personal part and integrates it organically, the effect may be better. This part has a lot of stories, but the overall feeling is a bit drifting and not convincing enough, and it feels that Luo's life is not real enough.
Pan is too much, Kate's complexity has been shown, but because of the plot, there is no way to unfold.
The most pity is my brother. When I saw the emotions between my brother and Kate and Luo, I thought, or the director has deliberately or unintentionally caught some inexplicable emotions between my brother and Luo. Considering that it was half a century ago, 20 years before Pan had just won the Oscar for "Milko", his suppression should also be.
If this part unfolds, the reason why the brother shot Pan can also be added. Pan not only robbed his sister, but also betrayed himself, but also robbed Luo. Taking Luo away was the real reason for his despair.
Or not, it's just desperation, the only legitimate manifestation of a homosexual's despair in that era.
If this arrangement is true, I believe the plot will be much richer and the relationship between the characters will be much richer. In this case, it is more in line with the director's overall appeal, that is, this is not a simple judgmental film, what he wants to do is to show, show the complexity of the times and the people in the gap between the times.
I over-interpreted it again, haha. .
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