The first is that the big boy in the rural environment of Thailand, Sunshine and Eyeless, played the role of Hamlet, the dark, bloody, cruel, dirty, and dark prince, and he directed and acted himself.
The second is to prove once again the rapid progress of the Thai film industry (note that it is the film industry and not just movies). Thais have nothing else, one is to study, the other is to be serious.
In terms of kung fu, Tony Jaa's ambitions are as crazy as his eyes in the film: Thai, Japanese, Chinese, and African MMA will all appear on the stage, and there is even one with the Qinglong Yanyue Sword.
The most exciting part is the one-on-two against two Chinese and Thai boss players on the wooden floor: a set of Nanquan on the left and a few Muay Thai on the right. It's too sturdy, too stalwart, too creative, too much. Attitude! Then there is the three-section stick, which is too ambitious, and is completely trying to subvert Bruce Lee's iconic image.
The lens still continues the Thai mid-close shot + small upward shot. Generally speaking, the details are in place, the shape of the feet, muscle tension, splashing of dirt, the arc of jumping, the tremor of landing, every detail shows the strength, and there is still a little flying feeling, it is worthy of the country of drugs. . I don’t know how many times these shots have been taken! ! !
Say it again! The Thais are so fucking serious! ! ! The Nth generation of Nanluoguxiang and Jimenqiao who have begun to transform from art to commerce, can you learn hard, can’t you, can’t you? ? ? ? ? ?
View more about Ong Bak 2 reviews
