Before the opening wedding banquet, Yunyun came to make a big noise. Before she entered the door, we could hear Minmin’s voice on the left channel, indicating her location, and then Yunyun walked to the right to find her mother-in-law. At this time, Minmin was from the left. Enter the painting and pull her away. The two draw from the right. The next shot will only focus on the mother-in-law and Tingting, as well as Tingting and Jian Nanjun. At this time, you can hear Yunyun and Minmin arguing only in the right channel. This recording can clearly and accurately provide the position of the character and the direction of the character's movement. The sense of space is very strong, especially the switching of the left and right channels, which is very simple but very practical to reflect the relationship between distance and near. It can be called in-mirror scheduling of sound.
During the wedding banquet, NJ started to feel gloomy after meeting Ari. He burst the balloons to scare the girls. We could always hear the screams of "America" and others persuading wine from outside the painting, but at the same time, we could clearly hear the conversations of the people in the camera. Sound, this should be the combination of two recordings, using different levels to reflect the sense of hierarchy, and then when the final shot is given to "America" to persuade alcohol, the scheduling in this section of the mirror is superb. Individuals have different expressions and expressions, and the recordings are extremely clear. They can clearly distinguish the content of their speech. Although it is noisy at first, the useful information is shouted out with a loud voice, completely overwhelming other environmental sounds, and This is no use of wireless mic.
Like the wedding banquet mentioned above, many scenes in "Yi Yi" emphasized the ambient sound outside the painting. For example, when Adi, Xiaoyan, U.S. and Liren were speaking behind the screen when he was hosting a birthday banquet for his son. We can clearly hear the voices of Yunyun and others joking outside the screen. At this time, the topic in the mirror focused on the uninvited matter, and the high and low voices outside the painting just assisted this topic, forming an opposition. From another point of view, this is the use of voice for dispatching outside the mirror.
The recordings in "Yi Yi" often like the sound before the painting, and the sound enters the painting before the camera is shaken to the position. For example, in the hospital, when Jian Nanjun was talking to his aunt, he saw Adi and the United States approaching and greeted him. We heard their speech first, and then we panned the camera to see them coming. The next shot was very exciting. I shot the opposite image through the window of the hospital. It was not a simple opposite image, but the opposite image of the character movement in the depth of field. At the far end, the three people of America, Rinin and Auntie The movement is very clear, and the American voice is still clearly identifiable. It is conceivable that the camera was facing the glass and the speech pole was facing in the opposite direction, but the picture was not drawn, and the recording position was grasped very carefully.
The dialogue in "One One" is very dense. In order to clearly reflect the dialogue, the clarity of many scene actors using wireless mic is inconsistent with the camera position. Located outside the car window, but did not hear the noise on the road outside the car, the sound heard through the glass was the volume recorded by the actor's mouth. Similarly, the recordings of Yunyun and Adi in the cafe are through the glass, but they are very clear.
The location of the recording is sometimes far away from the camera. For example, Yangyang ran from the film store back to school. When she was caught by a girl in the playground, the camera was taken from the top of the building while the recording was on the playground. Clear footsteps can be heard. .
Sometimes the recording uses sound and picture counterpoint. The sound is to reflect the environmental information that the painting does not express. This shot was shot through the school monitor and ran back to school, but because it was not clearly stated that the monitor was from the school, the recording was made. Just use the student's loud reading sound to emphasize this environmental information, unlike the way we often see is to give a lens to the school gate, so the sound can be completely different from the picture to provide new information.
The most impressive thing about the sound and picture counterpoint is that when looking at the fetus through the B-ultrasound, the sound is introduced by Daejeon. The fit of the content is perfect and profound. It integrates two completely different information and gives New meaning.
On the whole, "Yi Yi" has achieved heinous intentions and finesse in the sound processing. It should be said that from the point of recording alone, "Yi Yi" can already become the object of imitation and learning for later generations.
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