From ten o'clock to twelve o'clock, a person's quiet time can see the sadness of the whole world. Easily moved. But he wondered if he was crying.
At first I saw the happiness of Dorinda and Peter, especially the romance of Dorinda dancing in the skirt sent by Peter on the dance floor. The background music is that old-fashioned song, the low male voice sings "smoke gets in your eyes", but I can't ignore the sadness while listening gracefully.
The ending is a matter of course. Dorinda starts a new life and is willing to see the results, but it is not happy. Because there are still people who are hiding and reluctant to let go. It was inevitable for Peter to make this choice. He could not prevent someone from giving Dorinda happiness on his behalf, nor could he change the fact that the yin and yang were separated, leaving was the only thing he could do. Seeing his sorrow and tears, but I don’t know how to rewrite the ending so that there is no heartache. Perhaps there is no goodness that can erase all the scars. I can only smile and wave goodbye, and use the phrase "I want to liberate you" as a relief. Pretending not to know this is leaving forever.
Talking to a friend about how moved she was, she said that as for whether it was all fake, she never believed it anymore. I just don't think it has anything to do with believing. The most important thing is to have a kind of feeling deep into the heart. Regarding the protagonist's mental journey, those love jealousy, powerlessness and loneliness can more or less be staged in their lives in various forms, although the thrilling experience is missing.
Looking at the movies for a long time, I still have a touch of feelings in my heart when I think of it, and I have forgotten a lot of pictures, but an Audrey Hepburn who remembers the white clothes. The noble and elegant that is not stained by the dust is indeed the image of an angel. Her last film is still so fascinating and fascinating.
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