The female protagonist is very beautiful, which is a bright spot. However, it does not give more shots to reflect what is deep in the actress's eyes, so the personality characteristics appear weak. When the hostess started at the birthday party, her eyes didn't leave the uncle. The charming eyes filled the lens. Since the smile is very seductive, you can't blame the uncle for not being able to hold it.
The uncle struggled several times and took Ma Jintao's violent route from time to time. Since he was a cool and handsome man, this kind of hysteria of Qiong Yao's old aunt was too straightforward. Masters who have been in love for many years can break up peacefully every time, and they should still have the ability to do well. The uncle's personality characteristics have not been obvious, and the change does not appear to be transitional. I don't know whether it is because of the actor or the director's request.
I used to dump people, but now I am dumped as an adult, can I be reconciled? ~
Therefore, the old man's love is caused by unwillingness, if it can be called love. Because there is no love, so I will have a few legs with other people. So the heroine was angry, and the consequences were serious. The hostess turned decisively and made the old man regret it, but the emotional development was too unprepared.
The editing, the angle of photography, and the processing of the lines all have a strong Chinese feeling. How to say it is the link between the past and the back of the story, the turning point and the rest, all portrayed in a straightforward manner. But the characterization is very erratic. What reminds me is the model play.
The autumn scenery in New York is very beautiful, the big autumn trees are very beautiful, the icy flowers on the window glass are very beautiful, and the corridors of the hospital are very beautiful.
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