The performance of the woman feels more infatuation and less murderous intent. Originally she was an erotic woman in her boudoir, with great scheming, but she was more like a resentful woman in her boudoir, who had no choice but to do so. Perhaps the director just wants her to hide without leaking, but there is a big difference between a murderous hiding and not leaking.
The music is very catchy from beginning to end. Saxophone, piano, and violin have always been an important part of the film. It is melancholy, melodious, low-back, tactful, sultry, and ambiguous, setting off the sweltering and sweltering atmosphere of the whole film.
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