As a 41-year-old thing, and because the film carries too much, there is no reason to be too critical.
It's just that the divergence and unsmoothness in the plot are too obvious, and the obvious climax formed by preventing it from advancing, makes a lot of room for chewing in terms of charm.
But through the director’s travel experience, the truth is right. The people don’t really need realism too much. Their lives are already too realistic, and the people need to be paralyzed and escape and forget.
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