I met Son Yezhen for the first time in "Love Has Destiny". At that time, she was so shocked that she perfectly restored all my dreams about women! Just the second day after I watched "Love", I spent a day in the Internet cafe, searching for all the information about her. I am very happy that Internet cafes actually have four of her movies, except for "Love Is Provided", "Crazy First Love", "The Law of Hit-up" and "The Eraser in My Brain". The first two are entertainment films, which are not very impressive, but this "The Eraser in My Brain" is deeply engraved in my heart. The film was very popular in Japan at the time, and even a Japanese company bought the script and asked Fukada Kyoko to film it again.
In fact, I always thought that Son Yezhen and Li Lizhen looked quite alike, so that during that period of crazy obsession with Son Yezhen, I specially downloaded Li Lizhen’s early debut works and talked about masturbation. Nowadays, the enthusiasm of Ruhuo has turned into the appreciation of Rushui, which is not as fierce as before, but it may be longer like this.
Regarding
Jung Woo Sung-I remember that there was a survey conducted in South Korea, asking "Which male celebrities are the reason you can't tell, but you just think he is handsome". The first place was Bae Yong Joon, who was not as good as the other at the time, and Jung Woo Sung ranked third. . He doesn't have the brilliant sunshine of Yuanbin, nor the noble and elegant chic of Zhang Dongjian, but he can give you a sense of steadfastness, and he will protect and take care of you attentively. He is the kind of lover who belongs to the middle and low-level public. He is very manly and reliable.
In the film, he also confirms this view of mine. When his wife can't remember herself at all, and even his father-in-law persuaded him to give up, he still chose not to give up. When he meets this kind of man, he is a woman. The blessing of a lifetime. I don't know if he is the same as his image on the screen in reality, but I would rather believe that.
Regarding movies-
Korean movies, I have watched more than 70 movies. It stands to reason that they should have a certain immunity to their sensationalism, but they often throw away their armor and escape. I did cry after watching this movie, but it was not the most embarrassing time. The most embarrassing time was given to "Sad Movies".
I think the sensational aspect of this movie has been reduced compared with the previous Korean romance movies. In the past, Korean romance movies were mostly super beautiful pictures + super beautiful music. The meal is fierce and completely ignores your endurance. Earn your tears, let those who can't cry, let those who can cry to death, let those who cry to death be crying come to life. You can pay attention to the soundtrack of this film. It is extremely simple or even rudimentary. Most of the time, there is no music at all. Even at the final climax, it is just a few guitar strums, and this expression is correct. It is common in European and American movies. They pay more attention to telling a fact and let you feel it, instead of subjectively matching it with sensational music. From this point of view, "Eraser" has been a good attempt. This change made me cry less, but it was even more moved. Sweet but not greasy, long lasting fragrance.
Another touching feature of Korean romance films is its detailed description, which is lacking in domestic romance films. If you want a romantic movie to be touching, you have to let the audience blend into the plot unknowingly. Then what do you rely on to get the audience into this set? It’s certainly not the war-torn environment in "Yun Shui Yao", but the meticulously portrayed small details that are ubiquitous in "Eraser". One of my favorite episodes is: the
heroine walks out in a bathrobe, the male protagonist came up and asked: "a bath?"
"ah ......"
"are you sure?"
the heroine is very puzzling answer:. "of course,"
At this time the actor held out his hand to open the actress bathrobes, Looking at the spring light in front of her,
she asked, "Have the breasts been washed?" The heroine replied shyly: "I don't know..." The
actor then asked
, "Have my armpits washed?" The heroine blushed, "I think so. Right..." The
actor continued to ask, "Where's your feet?"
"Don't ask, don't look at it." The heroine smiled and ran away.
At this time, the actor chased up, picked up the heroine, and entered the inner room...
Alas, when will such a sweet, ambiguous, associative plot appear in our film? But having said that, even if someone really dared to shoot like this, it is estimated that the uncles of the State Administration of Radio, Film and Television would be trembling with anger and cursing: "Too indecent! Too presumptuous! Too corrupt!" Now it's really a movie. Let us contact the Bureau of Radio, Film and Television. They have committed countless heinous acts, brutally murdered or raped countless films, insulted the audience’s IQ, and finally put on a heroic image for the country and the people. For our admiration.
Also, I have to mention that at the end of the film, everyone worked together to restore the scene of her when I met him. I was very touched. There are really a lot of people who love her and care about her. And she seemed to heal suddenly, and asked: "Is this heaven?" I don't know if she was completely healed in the end, or if she just recovered her memory temporarily, or she was not at all good, in her eyes he still Just the image of her ex-boyfriend. But these are not important anymore, what is important is the phrase "Salanghayo" of the last actor.
She is happy to
be loved by him; he is happy to be able to love her.
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