Let people break their souls here

Brenna 2022-09-29 18:48:16


I have been trying to find scenery in movies, and scenery is very important to me. Is there any medium that allows me to see the beauty of the world without going out, as well as the various encounters in the scenery. If you want to see Florence, you can go through a room with a view; "The Nile Tragedy", Infinite Egyptian scenery; all of Jane Austen’s stories have the green mountains of England that I am most intoxicated with; "Perfume" smells the scent of girls and sees the beauty of Provence; "The Da Vinci Code" movie ruined the original, but it can take me After entering the Louvre again after "The Phantom of the Louvre", I still praised it; in "Hamlet 1999", my favorite Guggenheim Museum in New York, USA. Sometimes I fall in love with a movie because of a series of scenery. Regarding Venice, "Wedding Announcement", "Casanova" and "Italian Mission" just used its square as a cutscene. With such a beautiful background, the story is still not contagious at all. It is still developing on its own. Interesting, but a waste of beauty. So I look for movies about Venice. In the end I found a movie that belongs to Venice.

Lifelong unmarried, the disturbing great director Visconti brought the Nobel Prize-winning writers and perhaps more of the novellas of Thomas Mann, a literary esthetician, onto the screen. With Mahler’s symphony, it reflects the true emotional orientation of the classical music master, and the melody is connected with the soul of the story. How can I not be jealous of the director’s imagination, control and artistic attainments. After watching the movie, I didn’t seem to have formed a complete impression. I just felt that I was wandering in Venice against the backdrop of the symphony... by the bridge, the waves, the fine sand, and my vision followed the thoughts of the musicians in the movie, and I felt that my eyes were shaking. Someone’s back, is that fifteen-year-old boy, or something else? That was a beautiful boy who was unparalleled in the world. He just walked past the musicians calmly, and the musicians chanted, "I love you."

Later, the frustrated musician was about to leave Venice, but his luggage was delivered to the wrong place. He was always weak and timid, yelling hysterically about luggage. He won't leave until he comes back, and the schedule is delayed and stays in Venice for another two days. Ridiculous excuses are sometimes used by adults more than children. In fact, his tyrannical response is just to stay two more days before seeing the face of the teenager. I saw him take the steamboat back to Venice with the vitality on his face, his weak body stood up lightly, and the impermanent hot wind hit him. At this time, it was the sweetness of love to him. I just want to use one word to describe it properly, whether it is the spring breeze or the spring heart.

And whether the boy could know that he has such a weight in a strange man's heart. He is innocent, just at the time of his beautiful and innocent years. I have never seen a man with such an alluring beauty. Even if the musicians learn that the city is plagued by epidemics, they still can't leave. Love this beauty, love this beauty, he found a hairdresser to dye his black hair with ridiculous white foundation blush and lipstick, and he also trimmed his beard into a fashionable shape. At the mercy of the barber, he only wanted to become younger and shorten the distance between him and his youth. The young man seemed so far away to him, he didn't even have the courage to talk to him, and only dared to sneak on the fence that the young man had passed. The only time in the film he flicked the boy's hair, almost intoxicated. Later I discovered that the scene was just his illusion. In the end, the musician was lying on a beach chair. The hot wind of disgust made him sweat. The makeup on his face had long been glued. The black hair that had just been dyed faded and sweat dripped from his sun hat on his cheek, and he ate it before. His unripe strawberries were tumbling and burning in his stomach. He was struggling to see vaguely into the distance, the afterglow of the setting sun was standing in the sea, with his knees at the end of the water, his left arm raised, his shoulders slightly tilted, and his hands pointed to the distance. He stretched out his hands desperately to respond to this faction. Then collapsed in a blink of an eye and lost his life.

The first time I used "beauty" to describe a boy, in fact, he was a pure boy. Thinking about a problem for the first time, we spent our entire life trying to please, to win a certain or a few of the opposite sex, and indulge in it. Whether everyone has forgotten that there is a unique scenery on this side, perhaps only the artist can unconsciously inherit the little bit of ancient Greek traditional spirit in the struggle between art and morality, beauty and life. Just like the spirit of ancient Greek male aesthetics. How to enjoy the scenery? Carnal gratification, or spiritual desire. The person who does it hasn't thought clearly yet, and he doesn't bother to do it if he thinks too clearly. In any case, an old man's crazy fall in love with a teenager is a difficult story to make up. Even if someone composes it now, it is always a little pedophile. Although this novel is full of collisions between romance and reality, it tells pure love. Thomas Mann has experienced a different kind of scenery in Mahler’s music, which may have inspired his deep inner hypothesis about the same sex, and more likely it has leaked his little under the aura of morality, wisdom and endless honor. secret. Another genius, Visconti, took over and directed this good play, starring the best actors in Europe at the time. Become a classic. More than thirty years later, when same-sex movies became popular and almost occupied the heights of the temple, they were able to shed light on the wind. I found it by accident, and felt that the reason for seeing it was the beautiful scenery in the name of the movie. There are countless choices and bifurcations in life, which ultimately affects what we choose. At this moment, I chose you, besides fate, what else.

I watched "Soul Broken Venice" because of Venice, and I forgot Venice after watching it. There is only one person in my heart, with the scene and the blurred shadow of the person. The bumps are under the afterglow.

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Death in Venice quotes

  • Gustav von Aschenbach: I remember we had one of these in my father's house. The aperture through which the sand runs is so tiny that... that first it seems as if the level in the upper glass never changes. To our eyes it appears that the sand runs out only... only at the end... and until it does, it's not worth thinking about... 'til the last moment... when there's no more time left to think about it.

  • Gustav von Aschenbach: You know sometimes I think that artists are rather like hunters aiming in the dark. They don't know what their target is, and they don't know if they've hit it. But you can't expect life to illuminate the target and steady your aim. The creation of beauty and purity is a spiritual act.

    Alfred: No Gustav, no. Beauty belongs to the senses. Only to the senses.