text / (United States) E·Solomon
translation / Yin Ping
location, highway-at the border between Texas and Mexico, the night is
endless night with brilliant stars. Over Texas, a large colorful dragonfly with two pairs of wings flies in the breeze, making a "buzzing" sound. I saw it slowly descend, hovering sideways in the low air, and finally hit the windshield of a galloping white truck with a "slap".
Interior view, truck-at the border between Texas and Mexico, the night
truck driver is an old American man in his 50s. He turned on the wiper switch and tried to wash away the traces of dead insects on the glass.
Driver: Damn bug!
He sprayed some cleaner on the windshield again, and the glass seemed cleaner. At this time he ran into trouble again: the road ahead was very blocked by cars, and the dazzling big headlights of four of them made him unable to open his eyes. He bit his lip, turned his head to avoid the lights, and yelled to the drivers of those cars in
Spanish --- Driver (Spanish): What's the matter?
Location, highway-at the border between Texas and Mexico, there were a
few cars parked in front of the night , and the truck had to stop. The doors of those cars are marked with the words INS (Immigration and Naturalization Service). Seven or eight immigration agents stood in front of the car awe-inspiring. At this time, a border inspector who looked like a captain came over. The driver hurriedly shook down the glass. Janus, the border inspector with brown hair and blue eyes in uniform, glanced at him and sighed.
Janus: Nick! You guy, what a coincidence. Where do they come from?
Driver: Just returned from fishing in Cuernavaca.
Janus: Really? Let me see the fish you catch.
He rushed to the back of the car to open the door and found 12 Mexicans who were trying to smuggle to the United States. Seeing their horrified look, and taking another look at the driver who had been caught by the two agents, he shook his head.
Janus: Oh, I really want to throw them back. (For those passengers, Spanish) Alright. get off. Line up!
The Mexicans shoved and got out of the car, several of them with their children.
Janus: Nick, how much did you get? One hundred or two hundred? I see if you put the money together to hire a lawyer?
Before I finished speaking, I saw a car banging oncoming. Seeing this scene, several agents unanimously pulled out their pistols. The car turned to the right abruptly, turned off the road, circled around the immigration authorities, and stopped in front of those cars with a shriek. This is a black car of Ford's 1986 style. Two men got off the car: a black suit, a white shirt, and a black tie. Under the trousers were a pair of shiny black leather shoes. Kay, in his 50s, is a bit cynical; his partner Dee, who is about 65, is a bit tired. They walked to the immigration officer.
Kay: We took over the business here.
Janus: Where are you guys?
Kay and Dee flashed their documents ---
Kay: Immigration Office 6th.
Janus: 6 places? I have never heard of 6 places.
Kay: Really?
Kay and Dee walked past him towards the panicked stowaways.
Kay: What shall we do, Dee?
Dee: This is not easy, Kay!
Kay walked to the group of people, looked at their expressions, and said happily in Spanish————
Kay (Spanish): What's wrong, hello! Don't be afraid, grandma. Welcome to the United States of America. (To the other person) Where are you going? Go to San Antonio? Want to find a job? good luck. (To another person) Nice to meet you here.
After Kay condescended to greet them one by one, the smugglers gradually receded from their faces. At this time, Kai walked to the fifth person and said in the same gentle tone————
Kay (Spanish): If I hit you all over your face, what do you think?
The man smiled and nodded. Kay stopped and smiled more stretch-
Kay (a hand on the man’s shoulder, Spanish): You don’t understand Spanish, do you, friend?
The man smiled again and nodded. Kay looks back at Dee---
Kay: I found him. (To the others, in Spanish) The others are okay. Go away!
Janus: Sir!
Kay (Spanish): Get in the car and leave.
Janus: Sir, you can't just do that...
Kay: Don't call me "sir"! You don’t even know who you are dealing with!
The road fell silent. The driver tilted his mouth with a smile and jumped back into the cab. Others squeezed back into the compartment. The truck slid away.
Kay (to Janus): We have to talk to this friend. You go on doing yours...you must scrutinize those dangerous foreigners.
Kai and Dee escorted the prisoners across the highway and a small high hill. The only agents left on the highway were at a loss.
Janus: Haven't you heard of 6 places?
Agent B: There are no 6 at all.
Agent C: Who are those guys?
Location, a clearing in the forest, Ye
Kai and Dee led their captives through the clearing into the bushes. Dee drew the giant pistol from the holster on his shoulders and stood two steps away and aimed at him. Kay's arm rested on the man's shoulder.
Kay: You really shouldn't jump in this car, friend. Actually, I bet you with dollars that you are not... (He unzips the zipper on the front of the man's clothes and pulls out a small laser)...near here.
The man's coat slid to the ground, and the truth inside was exposed-an alien about 415 feet tall, with a big nose and many tentacles, and the fleshy stems protruding above the head are eyes that can be turned. The only thing that didn't change in the disguise was the human-like head, which was held rigidly by one hand. The whole head was supported by a stick, like a puppet, but in Kay's hands, it still kept changing expressions.
Kay: Mickey? ! When did they release you from prison?
Mickey's mouth full of saliva, mixed with screams, answered Kay in incomprehensible language.
Kay: Political asylum. OK.
Dee: Do you know what terms you violated?
Mickey screamed.
Kay: Number one, fool. At least seven.
Dee: I didn't get a vaccination from entering the country illegally to landing.
Kay (disregarding Mickey's protest): Alright! Okay! Give me your head and raise your hand.
There was a terrible gasp behind Mickey. Kay and Dee looked around quickly, and the raised eye of the alien turned around. The three of them all saw Janus, who had just climbed up, standing there dumbly.
Kay: Ah, hate it!
Janus screamed with fright. Mitch shook off the "Mexican" disguise left on his body, knocked Dee aside, and rushed straight to Janus, still making a creepy groan. Janus had been scared to death.
Kay: Dee! shot!
Dee struggled to retrieve the pistol that fell on the ground.
Kay: Dee, it's up to God...
Mitch still rushes towards Janus not far away. It climbed onto the rock and jumped into the air, with its twisted mouth open and flowing liquid. With the sound of "chi", only a dazzling white light was seen, and Mickey's body sprayed out a blue slurry, splashing on the surrounding ground, trees and Janus's face. Kay was standing behind Mickey, the gun in his hand was still smoking.
Location, Highway—At the border between Texas and Mexico,
the immigration agent on the night highway ran towards Gaogang with guns.
Location, in a clearing in the forest, Ye
Kai hugged Janus and led him to the clearing. Janus' face was pale, his eyes were as big as coins, and he kept shaking his head.
Janus: That...that...that...
Kay (help him): That's not...
Janas: That's not...no...no...
Kay: Not a human, I know. Ouch. Just put your heart back in your stomach.
Kay took out his handkerchief and wiped Janus' face. Janus looked at the place where Mickey was killed behind him, then at Kai, then looked up at the stars in the sky. The agents gathered around and asked questions.
Kay: Alright, alright, everyone, the situation is under control, calm down. If you can give me some time, I will let you all understand what happened!
Looking down from the high hill, the cars on the highway did not turn off, and the headlights of the cars dangling towards them. Kay took out a metal tube the size of a pocket tape recorder from his pocket, looked at his watch, came up with a number, and pressed "08" on the electronic counter on the metal tube.
Kay: This is a "amnestic device", a gift from a friend from afar. The red bright spot on it can decompose and measure brain waves, especially memory nerves.
Six people in black appeared behind Kay. They all dressed in black suits and sunglasses, walking towards the hills. Kay ordered them---
Kay: Give me a fire in this area, please; the angles are 40, 60, and 80 respectively.
Agent B: What happened? !
Kay: Good question! The answer is here, please pay attention.
Janus: Seriously, who are you guys?
Kay: Seriously? I am the illusion in your imagination.
He raised the amnesiac. The agents stared at it closely. Kay touched his pocket, took out his sunglasses and put it on, then lightly pressed the button on the side of the instrument. A strong light of a tenth of a second shot directly into the eyes of the agents. Their eyes immediately became blank.
Kay: We humans are too easily deceived.
Behind him, a flamethrower in the hands of a man in black was spitting out tongues of fire. Kay looked back at the agents who had just awakened from a dream.
Kay: After the explosion, you were alive, so lucky!
The agents looked at each other, a little puzzled.
Janus: What...explosion?
Kay pointed to behind him, the people in black were using fire extinguishers to extinguish the flames they had ignited.
Kay: The underground gas pipe is really incredible. Pay attention to the target before shooting, and be careful. (Clicks Janus's chest with his hand) Especially you.
Dee left the crowd and sat alone on a rock, looking at the moonlight, shaking his sunglasses with his sunglasses legs. Kay left the crowd and found him, and sat next to him.
Dee: I'm sorry for what happened afterwards.
Kay: There are always things.
Dee: It hasn't happened before. (Holding his trembling hand because of his age) But I really have more than enough energy...Kay! (Looking up at the starry sky) They are beautiful, aren't they?
Kay: What?
Dee: Those stars. We don't watch it anymore. (Turning back to Kay) Tell you, Kay, I will fall behind.
Kay (takes out the memory eraser from his pocket and looks at it): No, you won't.
Exterior view, Central Station-facing south,
a shot of the giant clock south of the majestic Central Station at night . The camera pans down. A pair of running feet, we know this is a criminal running. Follow up. The criminal speeded up and ran out of the screen. A pair of feet enters the picture. This is James Edwards, the plainclothes police officer of the New York Police Department. Two other policemen were also chasing the criminals about 10 feet in the background. Edwards ran ahead, taking out the police badge under his clothes as he ran.
Edwards: Stop! New York Police!
He continued to run, ran out of the picture. We saw a fat policeman finally stopped running, bending over, panting.
Police: Leave it to you, Edwards (draws a pack of cigarettes from his pocket)!
The camera continues to track Edwards and the criminal. They ran up the bridge between Park Avenue and 40th Avenue. The criminal suddenly turned to the left. At this time, the bridge was 30 feet above the ground, but he indifferently jumped over the guardrail to 41st Street below. Edwards was extremely surprised by this, but he did not hesitate to jump over the guardrail...
Exterior view, 41st Street and Park Street,
a double-decker bus in the night traffic, a group of Japanese tourists in the car, holding cameras , Is enjoying the street scene happily and curiously. Edwards squeezed out of the tourists...
Edwards: Everyone, on your left is the famous Central Station...
The bus is still moving. Edwards slid down the spiral staircase to the lower level of the bus and jumped out of the side door. He found the criminal and pursued it east along 41st Street.
Edwards: Damn it, my clothes are soaked!
He grabbed another New York Post with the open back door and jumped on it.
Location, 5th Street, night
criminals are running wildly, while Edwards leaned out from the back of the truck and gradually entered the picture.
Edwards: Good luck, you guy.
He leaped forward and fell on the criminal from the speeding truck. The criminal who was crushed by Edwards was terrified---
Criminal: He is here! he came!
Edwards: He came and I beat him as well!
Just as Edwards was about to handcuff the criminal, he saw the criminal blinked. This was nothing, but the other eye under his normal eyelid was turning very strangely. Edwards was stunned for a moment, when the criminal took out a weapon rare in the world. Edwards, with quick hands and quick eyes, knocked it into the air. The weapon hit the wall of Central Park and suddenly shattered.
Edwards: Something...
a muffled noise! The criminal shot Edwards with a kick between his legs, and then ran away. Edwards endured the pain and continued to chase. The criminal jumped into a car heading towards the Guggenheim Museum. Edwards, who was chasing after him, was stopped by a bus. By the time the bus passed, the criminal was nowhere to be seen.
Location, Guggenheim Museum. Night
Edwards ran out of the museum, leaning back against the wall, observing the surroundings, just at this moment - the
criminal suddenly rushed out, flashed past his head, and went from 20 to 20 Grabbing the outer wall of the Guggenheim Museum more than a foot high, using both hands and feet, grabbed the protruding part of the building and climbed to the top.
Edwards' reaction was to ran to the museum gate, opened the lock and rushed in. He ran up the wide ramp from the central hall of the museum.
Exterior view, Guggenheim Museum-roof, night
On the roof. The criminal climbed to the roof, and the gravel ground creaked under his feet. He jumped up and quickly rushed towards the door leading to the top stairwell. The door is locked. He turned to another door, which was also locked. He went to push the third door. The door opened. As soon as he raised his head, he saw Edwards standing outside the door panting hard, raising his gun at him ---
Edwards: How?
The criminal was shocked, and yelled in a non-human voice to retreat to the edge of the roof.
Criminal: Here he is! Because I failed, he will kill me when he comes!
Edwards: You stop!
Criminal: You don't understand. The end of your earth is coming!
The criminal had retreated to the edge of the roof and was about to jump down. He blinked.
Edwards: What the hell are you? !
The criminal looked downstairs and decided - he screamed and jumped down and ended his life.
(Switching)
Interior, interrogation room, night
Edwards leaned on the edge of the table, the police inspector and the uniformed patrol (the one who gave up just now and stopped to smoke) sat opposite him.
Inspector: The criminal blinked two pairs of eyelids. Do you mean that both eyes blinked together?
Edwards: No, sir. One of his eyelids blinked, and then he blinked again with a completely different pair of eyelids.
Patroller: Like low beam and high beam.
Inspector: Was it before or after pulling out his shattered weapon?
Edwards: After that, sir.
Inspector: How do you think that other police officers have not discovered these two characteristics of him?
Edwards: Because other people can't make the trip, sir.
Inspector: Hey, Edwards, if you are my partner...
Edwards: What do you mean? If I were your partner.
Inspector: What on earth do you want to say?
Edwards: What I want to say is that people like you have more success than failure.
Inspector: I think you pushed him off the roof. You the most capable quick hand.
Inspector (interrupting the inspector): Inspector, I want to talk to you outside, now.
Edwards: I think you need to practice climbing, you fat bastard.
Interior scene. Later in the interrogation room,
a woman walked into the room lightly at night and came to Edwards. She is Dr. Laurel Weaver, about 30 years old, with black eyes and black hair, bringing a dark breath. It seemed as if he had just been dragged up from the bed. She has checked the alien, and now she turned her face and whispered to Edwards-
Laurel: I am Laurel Weaver, the deputy coroner. I believe you. I dissected him. You can find me in the morgue. On the 26th, I will tell you what I found (walking towards the door while talking).
Edwards: Hey... wait, wait.
Laurel (turning around at the door): Your eyes are so beautiful (turning away in a hurry, but a voice stopped her).
Voice (outside the picture): Doctor Weaver, from the coroner's office? Have you checked that nameless person?
Edwards twisted in his chair to see more; but he could only see Laurel facing someone in the aisle from the back.
Laurel: Yes, not bad.
Voice (outside the picture): Please come and take a look here.
The man said something to Laurel, and she walked over and disappeared from Edwards' sight.
Laurel (outside the picture): Where do you look?
When a strong light flashed in the hallway, Edwards felt a moment of relaxation, and sat more stretched out in his seat. Strangely, he involuntarily stood up again when Kay just walked in and closed the door behind him. Edwards' eyes rolled sharply.
Kay: This night is really exciting, right?
Edwards: Yeah, it's really exciting (walking to a door).
Kay: That's gills. (Edwards stops) Not eyelids.
Edwards: Who are you?
Kay: Did he say anything to you?
Edwards (sneerly): That's it. He said that the end of the earth is coming.
Kay: Did he say when?
Edwards: You are not serious, are you?
Kay: If you look at it again, can you identify the weapons he used?
Edwards: Of course it can.
Kay: Then get in the car.
Edwards: Wait. I still have a bunch of reports to write.
Kay: It's all finished.
The inspector came in at this time and stretched out his thumb to Edwards with a smile.
Inspector: Very well written, Edwards.
Edwards looked at the inspector, then at Kay. Then left with Kai.
Kay: Are you chasing that guy on foot? That's boring, it's not easy.
(Switch)
Interior view, inside a Ford car. A little later, in
an ordinary Ford car in the driving car, Kaymer drove silently, and he headed towards the oncoming truck with the "Man in Black" logo The driver raised his hand and nodded. Edwards sat quietly beside him, still in plain clothes.
Edwards: Which department are you in? (Kay doesn't say a word) Your attire looks like a government department. Secret organization? CIA? (Kay remains silent) No matter who you do it for, you don't have much money.
Kay: It's not like you see it.
Edwards: Oh, yes, my car is a Ford 86 model, not a good car, it is still a luxury car. Come on, who are you doing it for now?
Kay (stops the car): A secret organization that specializes in monitoring the activities of aliens on Earth.
Kay opened the door and got out of the car. Edwards also got out of the car.
Location, pawnshop, night
Edwards (looking around and found standing in front of a pawnshop): Are we here? Jack Gibbs? He dared to collect stolen goods from robbers, but he never dared to sell them publicly.
Kay: Really?
Edwards: Well, you think you should beat him, yes. I do my thing. But I want an answer.
Kay: Do your "things", brother (Edwards walks into the pawnshop).
Interior view, pawnshop, Ye
Jack Gibbs is the owner of this pawnshop, sloppy, sarcastic, and not easy to be fooled.
Gibbs: Officer Edwards, it's really rare. Why are you here? I have confessed everything I should confess (flicking the Rolex watches on the counter carelessly).
Edwards: I heard that you bought something better than a stolen Rolex.
Gibbs: That's true—my business is now bigger. I stay here because I like the schedule here.
Edwards (annoyed, grabbing Gibbs by the collar): I'm talking about guns, Gibbs. Those high-tech stuff.
Gibbs: Don't get excited, Edwards, you have seen everything I have.
Kay (outside the picture): Why don't you get those imported goods for him, Gibbs?
Gibbs (hearing Kay's voice, his face changed a lot): Hey Kay, how are you?
Kay: Imported goods, Gibbs, right now.
Gibbs: I stopped doing that business a long time ago. You know, Kay.
Kay: Why are you lying to me? I hate you for lying (draws a gun and points at Gibbs' forehead).
Gibbs: Don't, don't, Kay, don't be busy yet.
Kay: I counted to 3.
Edwards (seeing that it worked, he leaned forward): He can do it, Gibbs.
Kay: 1.
Edwards: I saw him do that.
Kay: 2.
Edwards: Tell you, Gibbs, he doesn't care at this time.
Gibbs: He has always been like this. (To Kay) Go and find out...
Kay: 3.
"Boom!" Gibbs' head was blasted off, and Gibbs's body fell down. Edwards was stunned. He took out his pistol and pointed it at Kai's head.
Edwards: Put down the gun and raise your hand!
Kay: I warned him.
Edwards: Put down your weapons!
Kay: You warned him too.
Edwards: You have been arrested. You have the right to remain silent.
Kay: Would you like to relax?
Gibbs (outside the painting, angry): Don't do that!
Edwards hurried to see the "corpse" of Gibbs. A new head grew in only three or four seconds. Kay calmly pressed his gun against Gibbs' delicate cheeks.
Gibbs (continued): Do you know how painful this is?
Kay: Get those things out of you, Gibbs. Otherwise, I'll hit you as a new head.
Gibbs, panicked, pressed the button hidden under the counter. What quickly popped up was the gray shelf on the other side, displaying many weird weapons of different styles and models that had not been seen in the world.
Kay: Edwards, do you see it?
Edwards looked blankly at Gibbs's newly grown head, then glanced at the weapons.
Edwards: Oh, this, this is the kind I have seen.
Kay (staring at Gibbs angrily): You sold an inwardly explosive carbonized weapon to a cephalopod like an unlicensed squid.
Gibbs: I think he is pretty good.
Kay: Gibbs, carbonized weapons are a murder weapon. Who is he going to murder?
Gibbs: I don't know.
Kay (raising the gun again to threaten): Gibbs!
Gibbs: I don't know!
Kai (muzzle lowered a bit, indicating the weapon on the shelf): All confiscated! Don't let me see you get these things on earth again. Otherwise I will fight where you can no longer grow!
Gibbs nodded and agreed. Kai Yang walked away.
Edwards: Okay, let's talk about these Rolex things tomorrow (following out with trembling)!
Location, pawnshop, night
Edwards (walking out of the pawnshop staggeringly, thinking about what happened just now): Eyelids, okay...that thing that is good at jumping...and guns...nothing, but the head?
Kay: Want to find a reasonable explanation right away? There is a lot of information in this area.
Edwards: The human head shouldn't be like this, it shouldn't grow back. (Raising his head) What happened?
Kay: Brother, I can't help you. I can only guarantee that you won't remember these tomorrow.
Edwards: Oh, no. This kind of thing can't be said and forgotten.
Kay took out the amnesiac from his pocket, and he hesitated a little bit - as if the erasure this time was different from what he had done before. Then he put on sunglasses.
Kay: Have you seen this thing?
(Switch)
Interior view, Chinese restaurant,
Kai and Edwards are sitting in the Chinese restaurant under the dim light at night .
Kay (the ending joke): The wife said, yes, Henry, I understand, but this guy eats my popcorn.
He laughed for a while. Edwards, who was sitting across from him, was completely inexplicable, so he looked down at the remaining half of the cauliflower beef on the plate and a few empty beer bottles.
Edwards: Huh?
Kay (looks at his watch): Ah, it's time to go! Thank you for the egg rolls!
Edwards: Where am I?
Kay: Do you understand what I meant just now? You are a smart man, James, don't think too much. Come see me tomorrow morning, 9 o'clock, be on time!
He turned and left the restaurant. Edwards checked his watch. The restaurant waiter came over.
Waiter: Do you want beer?
Edwards: Coffee.
The waiter left. Edwards looked at the table. There was a business card on the side of the plate. The words above are written by Kay: "James D. Edwards, Saturday, 9 am, 504 Bartley Avenue." Edwards looked at the card, confused. He turned over the business card and looked at the other side: there was nothing more, no name, no phone or fax number, no web address. There are only 3 small initials MIB "Men in Black" in the middle.
(Switch)
Exterior view, farm house, night,
a lonely farm house located in a remote place in the north of New York. Some lights came out from the windows, and we could see a silhouette of a man sitting at the kitchen table and a silhouette of a woman turning around him to give him food. The man, Edgar, yelled, waving his arms.
Edgar (outside the picture): I went out to work and I was so tired that I didn't want much, but a clean home with good fat steaks on the table. But what I got was this...this...I don't even know what you should call these things!
The clear night sky is shining with stars. But something strange is happening. A star is getting bigger and bigger.
Edgar (outside the picture): Let me tell you what it looks like, like poison. Don't take it, I want to eat it, hell! This is poison! Isn't it?
In fact, it is not that the star is getting bigger, but it is flying towards us, from a tiny bit to the size of a dollar silver coin, to the size of a five-cent nickel coin, and then to the size of a quarter-cent coin.
Edgar (outside the picture): Swear to God, you are walking around here like a mangy dog, maybe not enough. I really don't know what to do with you!
Now that star is as big as a watermelon, and its red light is especially bright in the night sky. It flies toward us, here, and hits Beatrice and Edgar's hut. A fireball flashing red with flames across the sky, burning some branches...
Edgar (outside the picture): You are really useless, Beatrice! Only my broken truck here is considered to be responsible!
...The fireball slammed into the small truck parked on the road, followed by an explosion, a wave of air rushed, and the car burst into flames.
Edgar (outside the picture): Stay there!
Edgar's silhouette jumped out of the door. Edgar sounded like his voice... a rough man with violent eyes and a 1.2-caliber shotgun in his hand. He walked across the yard with his mouth wide open, his eyes fixed on the shell of his heavy truck. Although the car's skeleton is there, there is a big smoking hole in the car, which is at least 10 feet underground.
Edgar: Damn it.
He walked to the truck, pulled the car door with the hot door handle on the back of his clothes, and looked at the big hole below. He saw a metal object with a smooth arc-shaped edge stuck in the mud, and some places were still shining brightly. This is actually a spaceship, about 8 feet wide.
Beatrice yelled in fear from the porch behind him---
Beatrice: What is it, Edgar?
Edgar (turns to her): You fool, go back to the house!
Beatrice said no more, went back to the room and closed the door behind him. Edgar turned to face the smoking hole and picked up his gun defensively. An inhuman voice came from the depths of the cave.
Voice (outside the picture): Put down the weapon!
Edgar took a few steps back in shock, but he settled, stepped forward, and pointed his gun at the hole —
Edgar: If you want my gun, it depends on whether you can break my finger. NS!
There was no answer, the voice was considering his suggestion. After a while, a voice the same as Edgar came out.
Voice (outside the picture): Accept your proposal.
A long hairy pliers flashed out of the hole and quickly grabbed Edgar's head and dragged him into the hole. We heard a terrible tearing sound from the depths of the hole, like tearing a bed sheet. After the annoying noise, something flew out of the hole and fell to the side of the car. This is Edgar. The main parts of his body, his face, arms, legs, and even his clothes are still intact, but the inside seems to be hollowed out. He lay there flat, like a night gown thrown on the floor after a ball. The shotgun was also thrown out and landed beside him.
(Switch)
Interior view, farm house-kitchen. Ye
Beatrice is sitting at the kitchen table. She is scared, and she is still wiping the tears that Edgar scolded. The door opened. Edgar returned to the kitchen with a shotgun in his hand. He seemed to be alive again, the open door swaying behind him. Beatrice looked up at him, worried. But there was no expression on his face.
Beatrice: What happened? !
He glanced at her weirdly, his voice was different from before, and it became more elegant -
Edgar: Sugar!
Beatrice (looks at the smoking truck outside the window): I don't see the use of sugar.
Edgar: Bring me candy.
Beatrice stood up suspiciously, went to the cupboard and gave him a bag of sugar.
Edgar: Put it in the water.
She tremblingly picked up the water glass on the table and put some sugar in it.
Edgar: Put more.
She let it go again until the water was about to overflow, and the knife stirred quickly and passed it tremblingly into his hand. He drank it all in one sip. Beatrice stared at Edgar blankly. She found the skin on his neck a little strange.
Beatrice: Edgar, your skin! You... your skin and flesh seem to be separated from your bones!
Edgar put down the cup to look at a window glass, pulled up, and pulled and twisted his entire face, as if he was adjusting a mask, and then pushed the excess flesh of his neck down the collar. Tweeted. He looked at her.
Edgar: Is this better?
Beatrice fainted.
Exterior scene, farm hut,
quiet night, quiet all around. A loud scratching sound came from the hole in the spaceship. The bow of the spacecraft had been raised to expose the hole, and it was slowly rising, and finally crunched completely out of the deep hole to the ground. Edgar crawled out of the hole, panting heavily while dusting the soil, and then continued pushing the spaceship forward, disappearing into the endless night.
(Switch)
Location, Man in Black Mansion. The
next morning of the day, Edwards was standing in front of an indescribable building with a business card with Kay's address written on it. This is a seven-story square gray building with no windows, seated on the road bridge, like a fat man sitting on the toilet. This is "504 Bartley Avenue".
Interior view, the front hall of the Man in Black Mansion, during the day
Edwards walked through a heavy metal fence door into a long and narrow strange room. The huge fan in the ventilation duct fills the entire wall. The elevator is at the end of the room. An old security guard was reading a cartoon on a metal folding chair in the middle of the room. Edwards crossed the room, and his footsteps echoed in the room. The security guard raised his head at the sound of footsteps.
Security: Need help?
Edwards: Maybe, I'm not too sure. Look at this business card...
Security: Get on the elevator and press the "call" button.
After that, he went to read comics again. Edwards didn't ask any more, walking straight to the elevator strangely. As soon as he approached the elevator, the elevator door opened "shah" and waited for him.
Interior view, the Man in Black Mansion-the elevator entrance,
Edwards walked into the elevator and turned around during the day . The door closed. He pressed the "call" button and waited, but the elevator didn't move. The other side of the elevator opened quietly behind him. Edwards waited without realizing it. A man coughed behind him. Edwards turned around and found himself standing in the
interior of the building, the reception room in the black mansion, during the day
The room behind Edwards was as mysterious and peculiar as the place he had entered. Standing in front of the room is Zede, a government official with hard hair and an old-school bureaucrat. His attire was exactly the same as Kay the night before. There are already six test-takers sitting in a round chair looking at Edwards. One chair is empty.
Zede: You are late! sit down.
Edwards sat down on the empty chair. The elevator doors closed slightly. Zede continued to speak to the examinee——-
Zede: My name is Zede. You can come here because you are the best of the best. You are from the Marine Corps, the Navy Sea, Land and Air Task Force, the Army Commando... the New York Police Department.
The other test-takers looked back at Edwards triumphantly. He greeted them unwillingly.
Zede: If we want to choose one person from among you, only one person will be chosen. Let’s do a series of simple tests to examine everyone’s driving skills, hand-eye coordination, concentration and endurance. Okay, does anyone have a problem?
Edwards (raising hands): Why... Please forgive me. Surely no one will ask this question, but I want to know why we want to do this.
No one speaks. A young examinee raised his hand eagerly. Zed asked him to say.
Zede: The boy said.
Ambitious test taker (voice loud, serious): I am Jack Johnson, an outstanding graduate of the West Point Military Academy. We are here because you want to select the best of the best, sir!
Edwards couldn't help laughing.
Zed: What's so funny, Edwards?
Edwards: I... I don't know, sir, what this guy means by "the best of the best...". (Aware of the serious atmosphere around) I just think he is... (seriously) humorous. Sir.
There was silence. Zede went on to say ---
Zede: Okay, let's get started.
Interior view, The Man in Black Mansion—Reception Room, later, during the day
Candidates are answering the test papers as quickly as possible. The content of the written test is mainly to test their reasoning ability, general knowledge and drawing level. The test takers answered the questions one by one carefully, but because they did not prepare a table for them, they had to put their knees or thighs on the test paper and write strenuously.
Edwards is struggling to write. However, he wanted to erase two words as soon as he answered them. The scratched test paper and the broken pencil made him even more annoyed. As soon as he looked up and saw an empty table in the middle of the room, he got up and dragged the table over, making a harsh noise. Edwards dragged the table to his chair. Everyone raised their heads, disturbed by the noise that rang through the room. Edwards sat back to his original position and can now write on the table, which is better.
Zed raised his eyebrows and glared at Edwards, then looked up at a frosted glass window. There was a man standing behind the window, staring, expressionless.
(Switch)
Interior view, Man in Black Mansion-indoor shooting range, with
seven pistols placed on a table in the center of another triangular room during the day . Seven test-takers stood at the table. Everyone felt a little strange. They looked around, looked at each other, and then at the empty wall...
Edwards: Everyone..., for example, you, friend, do you know what we are here for?
Navy (with no hesitation in answering briefly): Select the best of the best.
Edwards (blocking with a smile): Yes, yes, I know, but...at
this moment ...suddenly...the two walls in the distance were pulled apart. The whole room trembles and the images of earth and aliens made by the stroboscope suddenly appear alternately...A bunch of strange images are all moving at the same time, making people dizzy and dazzling.
Six test-takers rushed over, grabbed their guns and aimed them, and six shot at the same time. The seventh shot was fired a second later. Several people looked at Edwards who finally put down the gun. Everyone was awkwardly silent. At this moment the door opened, and the light outside shone Zed in and went straight to Edwards. At this time, even the best military academy students will feel ashamed.
Zede: How is it?
Edwards: Some hesitation, sir!
Zed looked at the indoor scene. The roaring and struggling beast had 3 bullet holes in its chest. Next to it is a deformed humanoid with a hook on its head, shot three times in the body. A beautiful 8-year-old girl was punched in the corner.
Zed: Why do you think Little Tiffany should die?
Edwards: In fact, she was the only one who seemed the most dangerous at the time.
Zede: How can you see it?
Edwards: Let me talk about the guy with the hook head first. Tell me how can the hook grow to the head. The answer is: that is not the head. Its head is like a bean bag...barrel. Look at the roaring guy again, it's not roaring, it's sneezing... it is holding toilet paper. In any case, they are not a threat. And that girl's book is too disproportionate for an 8-year-old kid. Besides, from my perspective, she is the only motivated. I don't think you should blame me for this.
Others looked sideways at him. Zed sighed.
Edwards: Maybe..., should I apologize to her?
(Switching)
Interior view, The Man in Black Mansion-Observation Room/Reception Room. During the day,
Zede and Kai stood behind the frosted glass window, looking at the candidates in the indoor shooting range waiting for a decision.
Zede: The biggest problem is that it is difficult to control.
Kay: I feel the same way. But this guy can catch up with the alien, Zed, with fast feet and tenacious perseverance. This can work for me.
Zede: I hope your choice is right.
Zed turned and left. Kay watched Edwards, who left the crowd alone, through the windowpane. Zed walked into the indoor shooting range on the other side of the glass window. When he started to speak, Kay turned and left.
Zede: Congratulations everyone. Each of you has met the government's training requirements for many years. Now we have the final vision test.
Interior view, the man in black mansion-corridor, during the day the
examinee followed Zede out of the indoor shooting range to the corridor. Zed motioned them to go to the left. Edwards finally walked out of the shooting range and stopped in the corridor. Kay stood outside the door, waiting for him. Edwards recognized Kay the night before.
Edwards: It's you! Hey, what's the matter?
The other candidates still followed Zede. Kay silently motioned to Edwards to follow him.
Kay: In the mid-1950s, the government formed a small secret organization with a very simple purpose, which is to contact aliens.
When they passed a recessed place, Edwards noticed that the other six test-takers had gathered in a corner. Zed spoke to them and took the amnesiac from his pocket.
Zede: Now, please look here and look at the bottom of this little thing.
He raised the amnesiac up to the examinee. Everyone looked obediently. Zed hurriedly put on his sunglasses. Edwards was attracted and stopped. Kay hurriedly pulled him away. At this moment, Zed's amnestics flashed.
Interior, black people mansion - corridor during the day and
Kay led Edwards to go down the long corridor. He handed Edwards a folder containing a thick stack of photos. He took out the first photo. There are eight or nine men in an office in the style of the 1950s—iron tables, chairs, and fluorescent tubes. Among them are Dee and Zed, very young.
Kay: Everyone thinks that the establishment of this organization is a joke. But aliens don't think so. They contacted us outside New York City on March 2, 1961.
In another black and white photo, two saucer-shaped spacecraft hovering in the night sky.
Kay: That night, we were 9 people, 7 agents, 1 amateur astronomer and a poor kid who got lost.
Another photo. Above it is young Kay, wearing a shirt and tie, holding flowers, standing in front of the flying saucer that opened the door after landing, and you can see the aliens in the flying saucer.
Edwards: Do you give flowers to aliens?
Kay motioned Edwards to walk right into another corridor that looked like an end.
Kay: Those are refugees from the universe. We are asking us to help them find a place on the earth without political interference. Have you seen "Casablanca"? It's about the same, no Nazis. We agreed. At the same time we blocked the news of their coming to Earth.
Another photo. The 1964 World Exposition site under construction. The huge rocket model marks the theme of the expo's space travel. A spaceship is parked on the top of the two most prominent tall buildings on the site.
Edwards: Where are these two tall buildings?
Kay: Where else can you be except Queens? (Turn to another corridor) Please turn left. More aliens will come every year. They live with us secretly.
Edwards: I see. Not to interrupt, but I want to know when was the last time you had a brain scan?
Kay: Once every 6 months, the agency stipulates.
Edwards: Okay, thank you for a very interesting morning, but I hope to tell me where I came from, because I have already reached the place where I went out.
They walked to an unmarked door, and Kay opened the door and walked in.
Kay: Of course, no problem. Now that we are here, we might as well ask for a cup of coffee.
When Kay walked into the small kitchen, Edwards opened his mouth wide in surprise and his eyes widened --- 3 insect aliens were standing next to the water cooler. They are long and slender, not the shape of a New Yorker at all. The aliens were chatting excitedly. The language they use is like a hybrid of Esperanto and microphone feedback.
Kay (alien): Is there a coffee companion?
One of the aliens pointed to the counter and told him in their language.
Kay: Oh, good.
Under the guidance of the alien, he found the coffee companion, poured some into his coffee, and then walked out and closed the door. He lifted Edwards' chin gently, making him shut his mouth.
Kay: You still look better this way, just for reference.
(Switch)
Location, Battery Park,
Edwards was a little excited during the day , sitting on the bench in Battery Park with Kai like a fool. Kay talked with him while drinking coffee——
Kay: Up to now, about 1,500 aliens have come to Earth, most of them live in Manhattan. Most of them are fairly decent people and live their lives in peace.
Edwards: As a taxi driver?
Kay: It's not like you think. Most people on earth don't know at all, nor can they know. They think that they should accept their fate and live a happy life.
Edwards: Why is it so mysterious? Human beings are shrewd and they will deal with it.
Kay: Individuals are shrewd, humans are stupid. Everything that "knows" is always proven wrong in the end. One thousand years ago, people knew that the earth was the center of the universe; five hundred years ago, they knew that the earth was flat. Fifteen minutes ago, you knew that there were only humans on our planet. Imagine what you will know tomorrow.
Edwards: So what's the point?
Kay: Everything you get from normal channels will be lost. You are still too young to understand. You give up everything. Stop contacting people. No one will know your existence, forever.
Edwards: Anyone?
Kay: You can't even keep a shirt you like. So be it. I didn't say anything, I didn't do anything.
Edwards: Wait a minute. You followed me, let me take that series of stupid tests, and now you keep me out. I do not understand.
Kay: You will understand when the sun comes out again.
Edwards: Is it worth it?
Kay: Ask yourself. Tell me your decision.
(Fade in)
Location, Battery Park, at dusk
near the evening. There is no one else in the park except Edwards. He was still sitting quietly on the bench, thinking all the time. The stars in the sky gradually came out. He slowly raised his head and looked at the endless starry sky.
(Fade in)
Interior view, garage,
early morning the next day during the day. A door of the garage opened, and a staff member of the extermination center came in with a poison gas canister. The early morning sun shone into the garage, and hundreds of spiders, large and small, crawled around, quickly covering this dark place. The staff sighed and put down the gas canister.
Staff: OK, OK, I'm all here, look at me. (Stretching out the tube next to the poison gas tank) I'll give you a small expulsion notice, goodbye.
He put on the gas mask and turned on the switch of the gas tank, and the gas sprayed out of the tube.
Voice (outside the picture): What do you think you are doing?
The staff turned his head, Edgar stood at the garage door, staring at him contemptuously.
Staff (shrugs): Care about your pest problem.
Edgar: "Pest" problem? "Pests"?
Staff: Yes. You have been plagued by pests here.
Edgar (slowly approaching him): You know, I've been notified long ago. In fact, it's the same everywhere I look. Except for stunted, mindless waste and garbage, nothing else. However, they firmly believe that their short and meaningless life is superior to other lives.
Staff: Well...well, don't you want to get rid of them?
Edgar: Use the harshest means.
Edgar rushed up, tore off the gas mask from the staff's face with one hand, and inserted the gas tube into his throat with the other hand. The staff's car key fell on the garage floor. Edgar picked it up.
Exterior view, garage. During the day,
a wooden board flew out of the garage and fell to the ground. Edgar lifted one end of the plank, stumbling and dragging it to the rear of the caravan in the destruction center - forming a slope. He walked away. We heard the familiar scratching sound again. Edgar hummed and pushed his spacecraft down the slope into the caravan with difficulty.
(Switch)
Interior view, The Man in Black Mansion-the front hall, during the day
Edwards stands in the middle of the front hall where he visited yesterday. The elevator door opened, and Kai who was standing inside was waiting for him. He greeted the old security guard in the front hall.
Edwards: You will know one thing soon (running to Kay in the elevator).
Interior view, Man in Black Mansion—Elevator, daytime
In the elevator. The elevator doors closed. Kay turned around to determine the floor number, and the elevator descended. Edwards is still talking-
Edwards: I have a small request to come here. Before working with you, there is one thing you must make clear. You are fancying me because of my ability. So please don't call me "brother", "boy" or "handsome guy" in the future, okay?
Kay: Okay, slick. Just see how your skills are...
Interior view, The Man in Black Mansion-Headquarters, the
elevator door opens gently at the Man in Black Headquarters during the day .
Kay: At the moment, it's really not a big deal.
It is not at all like the kind of buildings we usually see. It is very large and has different heights. It is completely designed in the 1960s. It is decorated with polished steel plates and glass. The workshop is clean and the floor is smooth. Earthlings and aliens work here together. Most of the aliens are in the depths of the room, like people walking upside down on the ceiling, sorting files.
Kay and Edwards stepped out of the elevator and stood on a platform where one could look around. Kay took Edwards to the office center below. They first walked through the passport management center. A terrestrial official checked the documents of a group of aliens who had just arrived at the table. It was a dozen weird creatures, nagging in six different alien languages. Edwards slowed down and listened to the conversation between an official from the Passport Management Center and a tall, earthly Mercury visitor.
Official: The purpose of the trip?
Mercury: Diplomatic mission.
Official: Stay time.
Mercury: Time for lunch.
Official: Did you bring fruits or vegetables?
Edwards stopped curiously. But Kay pulled him over —
Kay: Let's go. He... has a... not very good temper. (Draws him to the central hall) After 17 light-years in the spacecraft, it takes a few hours to line up here, which is really irritating.
Edwards: Which department of the government should we report to?
Kay: No report. They asked too many questions.
Edwards: Then who pays for all this?
Kay: Oh, we have a few privileges. We confiscated the things of visitors from alien planets, microwave ovens, diet devices, and so on.
They came to a storage room, and Kay opened the door with the key. Shelves and tables are piled up with all kinds of instruments that look rather complicated.
Kay (picked out one thing): This is a new type of recording device designed to replace the computer. In this case, do I still need to buy platinum records? (Picked out the same again) This thing is interesting. Cosmic language translator. (Pick up a metal tube and a small pin like a miniature microphone) We can't own it yet. I will tell you why. Human thinking is still very uncivilized, thinking that it will infect a disease. This makes you very proud, right?
Edwards (picking a small yellow ball from a shelf): What is this?
Kay: Don't touch it!
The little yellow ball broke free from Edwards's hand and rushed out of the storage room and into the office area...it hit the ceiling, bounced to the ground, flying all over the room, so fast that it couldn't catch up with it.
A group of humans and aliens dodge, jumping away from various scenes of avoiding or being hit.
Kai became a little impatient, and calmly took off the peculiar metal glove on his right hand, raised his hand, the small yellow ball whizzed and flew, Kai calmly grabbed the ball.
Kay: It caused a power outage in New York City in 1977. It's actually a joke made by huge gravity. Only it finds it interesting.
They leave the room.
Edwards: I'm sorry!
In the main office area, they briskly walked across the room to the wall with a large screen hanging in the distance.
Kay: Take a good look, the small results of our hard work.
What is displayed on the screen is a huge map of the world. There are dense bright spots shining in different places above. Next to the bright spot is the recorded data.
Kay: This map shows where each alien arrives on the earth. Some people have been under our surveillance. (Press a button on the remote control station, and the map is replaced with hundreds of pictures of the same size.) In each picture, there is an alien, just like a normal person — an ordinary person. Hidden, as you can imagine.
On the screen, we see a picture of the alien's life. The aliens on the screen cannot see the people in the hall. They work and live normally in public like people on Earth, including Sam Donaldson, Michael Jackson and Tony Robbins.
Kay: Look at the twins.
Kay pointed to the little twins. They were skinny, each with 8 arms and an eye protruding from the middle of their heads. They each waved their own two or three arms.
Edwards: There are some things that I should believe in.
Kay: Is there something that doesn't make sense?
Edwards: It makes sense. When I was in third grade in Philadelphia, they all said I was crazy because I swear that our teacher came from Venus or some other planet.
Kay: Ms. Edelson.
Edwards looked at Kay dumbfounded; then a lady with four eyes appeared on the screen. Her face was ugly, with discolored eyes, skinny, and few female sexual characteristics.
Kay: Actually, she is from Jupiter. Yes, a satellite of the moon.
They pressed the buttons one by one in front of the huge console. Zed stood up, walked up to the big screen, came to Edwards, and measured his figure.
Zed: What size coat do you wear, Edwards?
Edwards: Oh, 40 yards.
Zede: Try it on.
Edwards: What to wear?
Zed: The latest coat you have never worn.
(Switching)
Interior view, the man in black mansion-dressing room, during the day
, like other places, the dressing room in black is all white: white walls, white floors, white ceilings and white wardrobes. There was Zede's voice ---
Zede (outside the picture): From now on, you can only wear the uniform specially provided by the man in black.
Edwards opened a white wardrobe, and a black suit hung in it. There is a black hat and a pair of sunglasses on the cabinet shelf. A pair of shiny black leather shoes was placed at the bottom of the cupboard.
Interior, black people building - headquarters during the day and
Kai sitting in front of a computer. The screen shows Edwards' birth certificate, driver's license, social insurance card, library card and other related information. Zede's voice continues ---
Zede (outside the picture): You must meet the identity we give you when you do things, eat at our designated place, live in our designated place, and expenses of more than $100 must be approved.
Interior view, the man in black building-laser room,
Edwards stands in the narrow white compartment during the day . He put his hands on the ten-finger keyboard, pressed it hard, and the buttons glowed red. There was a sound of scorching flesh from the tips of his fingers. Countless lasers changed his fingerprints in an instant. Although it didn't hurt, Edwards still made a strange appearance.
Zede (outside the painting): You will no longer have any identity records. Don't reveal your true identity at any time.
Interior, black people building - headquarters during the day
Kay Edwards, the identification eleven erased from the computer. The full name of Edwards-James Darrell Edwards III is shown on the display. Kay tapped the keyboard a few more times, and the cursor scanned from right to left, deleting Edwards' name verbatim from right to left.
Zede (outside the painting): After your entire image has been carefully processed, no matter who you encounter again, you won't have any memories of you.
Interior view, the black man's building-changing room,
taking off the pants from the hanger during the day , and then taking off the white shirt.
Zede (outside the painting): You are now a rumor, just a reminiscence fantasy, and it will soon disappear. You don't exist anymore, even you have never been born.
Edwards put on his shirt and hat.
Zede (outside the painting): Anonymous is your name. Silence is your language.
Zede (outside the painting): You are no longer part of the "current order". We are beyond this order and above it.
Edwards put on black leather shoes, fastened his belt, and tied his tie.
Zede (outside the painting): We are "them". We are "them".
Edwards buttoned his coat. We see a monogram "J" on the cuff.
Zede (outside the painting): We are men in black.
Inside, the Man in Black Mansion—headquarters,
Edwards III , who was renewed during the day— is Jay, to be precise. He walked out of the locker room, took out his sunglasses from his pocket, and looked at Kay.
Jay: Is there any difference between me and you? (Puts on sunglasses) This looks good.
(Switch)
Location, New Jersey, in the early morning,
what we are seeing now is a once-imaging photo of the magnificent view of Manhattan.
We saw the truck from the destruction center drove over a hillside toward Manhattan.
Interior view, The Man in Black Building-Zede's Office. During the day,
Zede's office is circular, surrounded by glass windows, on the main floor of the headquarters. Jay and Kay sat across from the table in Zed. There are five TV screens on the wall behind Zed. On each screen, there is a man in black from all over the world, and the city name and local time are indicated at the bottom of the screen.
Zede (looking at the file on the table): Okay, please look at the screen. (Facing a screen) Bi, we learned that a local official from the Cinari Empire will land in the forest outside Portland Port tonight. I send you to greet you from Anchorage.
Bi on the screen (nodding in agreement): Does it have human characteristics?
Zede: Then it depends on your luck, let's make some preparations. (Turning through the memo) And... everyone has to get the fish and sheep out of the sewer. That guy frightened the mouse. And the chunky Bobo always wants to expose his "identity" in the TV station "Unsolvable Mystery"; Bi, let him not do that. (Turning a page and seeing a red letterhead) The red announcement that came last night. We learned that an alien landed illegally and broke into a farm in New York. You have to pay attention to his every move; Kay, we can't let him mess around here.
The computer next to him beeps, reporting important news. Zed looks at the computer.
Zede: Okay, okay, another transiter.
Kay (to Jay): Illegal stayer. (To Zede) Who is it?
Zed: Reggie. It is unclear whether he is leaving Manhattan. But he was stuck in the traffic on the New Jersey highway and couldn't leave. Why don't you bring Jay? This is a good opportunity for him to get acquainted with his new job.
Location, the Man in Black Mansion-Battery Park,
Jay and Kay walked out of the main entrance of the Man in Black headquarters during the day .
Jay: Hey, what happened to Zed? (Similar to him) "Warriors, catch them, you can't make them cheap..."
Kay: Before your kid was born, Zed had saved the earth. Be respectful of him.
The "Men in Black" technician drove Kay's black Ford to Kay and stopped and jumped out of the car. The car door is not closed. Jay looked at the car.
Jay: As long as we make full use of the vast amount of technology in the entire universe, won't we be able to roam the universe?
Kai stared at him angrily. He was angry.
Interior view, inside a Ford car,
they got in the car during the day and closed the door. Kay started the car, and the engine rang softly.
Kay: Fasten your seat belt.
Jay: I think you have to learn how to talk to people. You can be kind and gentleman.
Kay (gritting his teeth): Please tie it up.
Jay: There will be danger now?
Kay slammed the car back, and Jay slammed forward. Kay rushed the car forward again, and Jay's body slammed into the seat again.
Kay: My car skills make you laugh... The
bright control panel moves back and forth between the two front seats of the car. Jay's hand accidentally touched the red button on the control panel.
Kay: Jay, see the button?
Jay: What?
Kay: Never touch that button, Jay.
Jay hurriedly removed his hand.
(Switching)
location, highway-roadside, daytime
A car parked on the side of the road. Dust is flying around the car. A car drove to a stop in front of it. Kay got out of the car, and Jay followed in a little while later. Kay walked to the car that was stopped by him. The driver is a guy in his 30s, and there is a wife about his age in the car. He rolled down the car window glass.
Kay: Please show your driver's license and certificate. (The driver takes out some documents, Kai looks through it) Other licenses and permits, please.
The guy flipped out two more cards and handed them out. Jay saw the card from behind Kay. This is the "Alien Residence Card". The picture on the card shows two gentle reptiles—husband and wife—with long, thin tongues on their smiling faces.
Kai (return the card): The residence card only allows you to go to 5 places. Where do you want to go now?
Reggie: This is my wife! She...she...will, look!
Kay bent down and looked into the car. Mrs. Reggie was so painful that she clutched her belly and groaned in pain. He straightened up quickly.
Kay: Oh, God, is it going to give birth?
Mrs. Regick was in pain and screamed. It's really about to give birth. This was the first time he was nervous and anxious since we saw Kay.
Kay: Okay, okay, it's no big deal. (To Jay) It's over to you.
Jay: Me?
Kay: Of course, it's very easy, you just have to...a lightly pull.
Mrs. Reggie screamed again. Mr. Regick got off the car in a hurry.
Regick: Are you sure he will?
Kay: Yes, don't worry, of course. He did this in the first place. Let him do it, Regick. I have something to ask you (pat Jay on the back to show support and encouragement, and lead Regick to the back of the car).
Jay (opens the back door of the car, hesitantly bends into the car): Oh, my goodness! I saw him! I saw him! I saw him!
Not far behind the car, Kay turned Regick's body to face him——
Kay: The midwife was on 64th Street to 8th Street. And you are now walking outside the city.
Regick: Yes, we...um...we are waiting for someone.
Suddenly, a tentacles came out of Mrs. Regick's legs, whipped it "snappedly", and then wrapped tightly around the doorknob.
Jay: Oh, dear Virgin, have you seen this?
Kay (to Reggie): Really? Who are you waiting for?
Reggie: Yes, wait...wait for the spaceship.
Kay: Really? I didn't see today's takeoff permit.
Reggie: Didn't you see? Well, yes... there is an emergency.
At this time, another tentacles came out and whipped, and it got tangled around Jay's neck tighter and tighter. He was out of breath and coughing.
Jay: Man, man...
Kay: Good job, man. (Transfer to Regic) What kind of emergency? Why did you leave the earth suddenly?
Jay (suffocating his life): Help! Help! Hey! ?
He exhausted all his strength to pull away the tentacles that entangled him, but he couldn't get away, as if the tentacles were pulling him, and he was pulling the new life.
Reggie: We just don't like those new neighbors.
Regick looked at Kai as he spoke, obviously hiding something, but he quickly avoided Kai's gaze.
Kay: What's new here? Is it related to the uninvited guest last night?
Jay (screaming): Are you guys hurrying? !
Jay stomped on the car door to keep his balance and pulled the new life out. At the same time, he fell heavily to the ground due to excessive force, holding the small lizard-like life with many tentacles in his arms.
Jay: Oh...oh...oh...oh my god.
Kay (turns around and pats Reggie on the back): Congratulations! It's a little lizard.
Jay looked at the little life who was still crying softly in his arms, and then hugged his arms affectionately.
Jay (somewhat confusedly): Hey, look, he kind of... the
little lizard threw him up.
(Switching)
location, highway-roadside-man in black car, daytime
Go back to the car. Jay wiped the dirt that was spit on him just now, and Kay drove.
Kay: Never seen such a thing, right?
Jay (looks at Kay with lingering fears): No.
Kay: What new neighbor makes Regick so scared that he wants to go home with his wife who is in labor? (Thinking about it) Let's check it out.
Location, newsstand,
they walked through a newsstand on the side of the street during the day . The headlines of the tabloids on the stall were mostly "The Pope is a Father!", "The Doctor Harassed Pregnant Women!", "A Man Eats His House" (The subtitle is "His Neighbor Said This Is Only His Appetizer") .
Kay and Jay stopped in front of a newsstand in the business district. Kay flipped through the various newspapers on the newsstand. Jay stood behind him, a little confused.
Jay: Are these the most popular newspapers?
Kay picked up a copy of World News Weekly from the newsstand and gave the stall owner a dollar.
Kay: Here are the best survey reports in the world. But the "New York Times" is also okay, you can read it, and sometimes you can publish some good things.
Jay: Do you really want to find out from these popular tabloids?
Kay: I didn't want to find out, but found out (slammed a newspaper in front of Jay). The headline of t
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