What I like more is that the first half is not divided, more tense and smooth, and for the 30-minute no-dialog bank robbing scene that everyone praises, because I am not familiar with the editing, I don’t feel too cold, and it feels a bit verbose, more like a toilet window. Whether it is easy to enter such a loophole is too obvious, but the most memorable thing is the surrealist method used by the first appearance of the expelled police officer to thoroughly explain the situation.
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